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"Parlons du parti que j'ai pris; il est bien justifé dans ma conscience. Ni cette ville coupable, ni cette assemblée plus coupable encore, ne méritoient que je me justifie; mais j'ai

We took the one at midday from Paris, and arrived slowly but surely at the dirty, smoky station, where we found Mr. Hoffman waiting for us with a landau, in which we drove to his house. We had an excellent luncheon, to which we all did justice; after which Mr. Hoffman proposed our going to the Assemblee, which has its sittings in the Palace, and we readily consented.

The ascent was most difficult, there being only one narrow pathway, by which we were obliged to ascend almost one by one. When about half way, or three parts up, we came to a small flat spot, about fifty yards long, and twenty wide. Here our noble captain sounded the assemblée.

Eliza Haywood" on the title-page never reached a second edition. Both her translations from the French, "L'Entretien des Beaux Esprits" and "The Virtuous Villager" , were acknowledged at the end of the dedications, and both were unsuccessful, although the anonymous predecessor of the former, "La Belle Assemblee" , ran through eight editions. The single occurrence of Mrs.

The story of Tellisinda, who to avoid the reproach of barrenness imposes an adopted child upon her husband, but later bearing a son, is obliged to see a spurious heir inherit her own child's estate, was borrowed with slight changes from La Belle Assemblée, I, Day 5, and used in Mrs. Haywood's Fruitless Enquiry, .

It was a strange silence, that seemed to make itself felt; and then the colonel woke into life, stuck those despatches into his sword-belt, gave an order here, an order there, and the next minute Tantaran-tantaran, Tantaran-tantaran, Tantaran-Tantaran, Tantaran-tay the bugle was ringing out the assemblee, men were hurrying here and there, there was the trampling of feet, the court-yard was full of busy figures, shadows were passing backwards and forwards, and the news was abroad that our regiment was to form a flying column with another, and that we were off directly.

These stories are to the plots of real life what the figures in "La Belle Assemblee," which represent the fashion of the month, are to portraits. But the novel will find the way to our interiors one day, and will not always be the novel of costume merely. I do not think them inoperative now.

It was the eighth hour of morning, and both officers and men, quitting their ill-relished meal, were to be seen issuing to the parade, where the monotonous roll of the assemblee now summoned them. Presently the garrison was formed in the order we have described in our first volume; that is to say, presenting three equal sides of a square.

When she had settled to her work, the authoress could produce little pieces, ranging from sixty to nearly two hundred pages in length, with extraordinary rapidity. In 1724, for instance, a year of tremendous activity, she rushed into print no less than ten original romances, beside translating half of a lengthy French work, "La Belle Assemblée" by Mme de Gomez.

The Widow had inherited some books from her mother, who was something of a reader: Young's "Night-Thoughts;" "The Preceptor;" "The Task, a Poem," by William Cowper; Hervey's "Meditations;" "Alonzo and Melissa;" "Buccaneers of America;" "The Triumphs of Temper;" "La Belle Assemblee;" Thomson's "Seasons;" and a few others.