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Luca's new work was in plain white earthenware at first, a mere rough imitation of the costly, laboriously wrought marble, finished in a few hours. But on this humble path he found his way to a fresh success, to another artistic grace.

The painter had barely time to escape by a back door to avoid his wrath, when the Marquess de Heliche entered, who perceiving that he had not touched the vast canvas with his brush, as suddenly retired, muttering imprecations and menaces. Luca's dashing pencil now stood him in good stead.

These are thought to be by Andrea, Luca's nephew, and were added long after the building was completed. Luca probably helped him. The hospital was begun by Brunelleschi at the cost of old Giovanni de' Medici, Cosimo's father, but the Guild of the Silk Weavers, for whom Luca made the exquisite coat of arms on Or San Michele, took it over and finished it.

Cricklander rhapsodized over them, mixing them up with delightful unconcern. They were all just bits of cheap-looking crockery to her eye, and it was impossibly difficult to distinguish which was Luca's, Andrea's, or Giovanni's; and, security having made her careless, she committed several blunders. John Derringham laid no pitfalls for her indeed, he helped her out when he could.

The picture had evidently to be finished in great haste, since the receipt for payment in Luca's hand is dated the 24th of the same month of June, thus leaving only nineteen days between commission and completion, a very short time for so large a work. The Baptist stands in a rich red mantle pouring the water on the head of the Herculean Christ, who wears the Pollaiuolesque striped loin-cloth.

Andrea della Robbia, his nephew, the best artist of his school, follows him, and after come a host of artists, some little better than craftsmen, who add colour to colour, till Luca's blue and white has been almost lost amid the greens and yellows and reds which at last altogether spoil the simplicity and beauty of what was really as delicate as a flower peeping out from the shadow into the sun and the rain.

It is not quite of the rank of Mino's in the Badia; but it is a noble and beautiful thing marked in every inch of it by modest and exquisite thought. In short, one cannot be too glad that, since he had to die, death's dart struck down this Portuguese prelate while he was in Rossellino's and Luca's city.

The next moment her eyes met Fra Luca's as they looked up at her from the crucifix, and she was absorbed in that pang of recognition which identified this monkish emaciated form with the image of her fair young brother. "Dino!" she said, in a voice like a low cry of pain. But she did not bend towards him; she held herself erect, and paused at two yards' distance from him.

The two end panels of Luca's are supplied in the cantoria by casts; the originals are on the wall below and may be carefully studied. The animation and fervour of these choristers are unforgettable.

Luca's sweetness was alien to Michelangelo, but not his melancholy or his sense of composition; while Luca's devotion to the human form as the unit of expression was in Michelangelo carried out to its highest power. Vasari, who was a relative of Luca's and a pupil of Michelangelo's, says that his master had the greatest admiration for Luca's genius.