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The religious bodies of the kingdom, the dignitaries of the church, and princes and nobles, eagerly sought after his works. The honors heaped upon Giordano by the Marquess of Heliche, compelled him to neglect and offend other patrons.
Here Heliche hastily interposed, telling him that the work which he had praised was painted, not by Rubens, but by Giordano, and repeating the sentiment expressed by several crowned heads on like occasions, admonished him of the respect due to a man so highly endowed by his Maker.
On his return to Spain he was accompanied by a lady of a good family, Donna Catalina de Leyton, to whom he was said to be married; though most people believed otherwise, and some even alleged she had been a nun. After his return to Spain, he lived for some time at the commandry of Heliche, in the capacity of a steward; and went afterwards into New Spain with the lady who passed for his wife.
The same eulogium, under similar circumstances, was passed upon him by Charles II. A similar feat at Naples, had previously won the admiration and approbation of the Viceroy, the Marquess de Heliche, and laid the foundation of his fortune. It became the fashion, to admire everything that came from his prolific pencil, at Madrid, as well as at Naples.
The painter had barely time to escape by a back door to avoid his wrath, when the Marquess de Heliche entered, who perceiving that he had not touched the vast canvas with his brush, as suddenly retired, muttering imprecations and menaces. Luca's dashing pencil now stood him in good stead.
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