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Updated: June 22, 2025


Then there are the down and up arm movements, for chords, and, of course, scale and arpeggio work, with coloratura touch. I generally expect pupils who come to me to go through a short course of preparatory study with my assistant, Miss Madeleine Prosser, who has been with me for years, and does most thorough work in this line.

I was taken to Madame Anna Casaloni at Turino. She was quite elderly at that time, but she had been a great singer. When she tried my voice, she told me it was quite properly placed so I had none of that drudgery to go through. "At first my voice was a very light soprano, hardly yet a coloratura. It became so a little later, however, and then gradually developed into a dramatic soprano.

Coloratura singing has been called heartless, not altogether without reason. At one time its exemplars fired composers to their best efforts. That day has passed. That day passed seventy years ago. It may occur to you that there is something wrong when singers of a certain type can only find the proper means to exploit their voices in works of the past, operas which are dead.

And yet things didn't go as they should have gone. The music is sparkling for the minor characters, and for Zerbinetta Strauss has planned an aria, the coloratura of which was to have made Mozart's famous aria for the Queen of Night seem like thirty cents. The fact is the composer burlesques the old-fashioned scene and air with trills and other vocal pyrotechnics, but overdoes the thing.

Marcella Sembrich, a coloratura soprano from Galicia, has a light, penetrating, marvelously sweet, and exceedingly flexible voice, with an almost perfect vocal mechanism. As one of her admirers has said, her tones are as clear as silver bells, and there is something buoyant and jubilant in her mode of song.

It is often remarked that the world has grown far away from coloratura singing; that what we want to-day is the singing actor, the dramatic singer, who can portray passion tear it to tatters if need be but at least throw into voice gesture and action all the conflicting emotions which arise when depicting a modern dramatic character.

It is said, with much truth, composers do not write coloratura parts in these days, since audiences do not care to listen to singers who stand in the middle of the stage, merely to sing beautiful arias and tonal embroideries. Therefore there are very few coloratura singers at present, since their opportunities are so limited.

"There isn't a doubt in my mind now," replied he. "You ought to be one of the few great lyric sopranos within five years." "A man, this summer a really unusual man in some ways told me there was no hope for me." "A singing teacher?" "No, a lawyer. A Mr. Keith Donald Keith." "I've heard of him," said Jennings. "His mother was Rivi, the famous coloratura of twenty years ago." Mildred was astounded.

"You ask me to explain the difference between the coloratura and the dramatic organ. I should say it is a difference of timbre. The coloratura voice is bright and brilliant in its higher portion, but becomes weaker and thinner as it descends; whereas the dramatic voice has a thicker, richer quality all through, especially in its lower register.

In former days, when singers realized the necessity of being prepared in this way, there existed I might say one voice; for the soprano voice was trained to sing both florid and dramatic music. But in these days sopranos are divided into High, Lyric, Coloratura and Dramatic; singers choose which of these lines seems to suit best their voice and temperament.

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