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Updated: May 23, 2025


Leave sunny imaginations hope. Let them picture union and a happy life. Wuthering Heights "That chainless soul," Emily Jane Brontë, was born at Thornton, Yorkshire, England, on August 30, 1818, and died at Haworth on December 19, 1848. She will always have a place in English literature by reason of her one weird, powerful, strained novel, "Wuthering Heights," and a few poems.

I felt interested in a man who seemed more exaggeratedly reserved than myself as he preceded me up the causeway, calling, "Joseph, take Mr. Lockwood's horse; and bring up some wine." Joseph was an old man, very old, though hale and sinewy. "The Lord help us!" he soliloquised in an undertone as he relieved me of my horse. Wuthering Heights, Mr.

But the moral is the same the folly of being overwise, the wisdom of acting upon the best promptings of the heart. In Too Late Browning attempts to render a mood of passionate despair; love and the hopes of love are defeated by a woman's sentence of rejection, her marriage, and, last, her death; it reads, more than any other poem of the writer, like a leaf torn out of "Wuthering Heights."

By God! she's relentless. Oh, damn it! It's unutterably too much for flesh and blood to bear even mine." It is Heathcliff's susceptibility to this immaterial passion, the fury with which he at once sustains and is consumed by it, that makes him splendid. Peace under green grass could never be the end of Heathcliff or of such a tragedy as Wuthering Heights.

"He's a bird of bad omen, miss," I said, "and no mate for you. How has he been living? How has he got rich? Why is he staying at Wuthering Heights in the house of the man whom he abhors? They say Mr. Earnshaw is worse and worse since he came. They sit up all night together continually, and Hindley has been borrowing money on his land, and does nothing but play and drink."

She stood up awkwardly. "It's too difficult," she said. "But you were playing quite splendidly! I ought to have stayed outside." "No," said Rachel. She slid Cowper's Letters and Wuthering Heights out of the arm-chair, so that Clarissa was invited to sit there. "What a dear little room!" she said, looking round. "Oh, Cowper's Letters! I've never read them. Are they nice?"

Mary told him her story about the midnight wuthering of the wind which had wakened her and about the faint far-off sounds of the complaining voice which had led her down the dark corridors with her candle and had ended with her opening of the door of the dimly lighted room with the carven four-posted bed in the corner.

If she had humanized Wuthering Heights, it could have been classed among the greatest novels of the Victorian age. She might have learned this art, had she not died at the age of thirty. "Stronger than a man, simpler than a child, her nature stood alone," wrote Charlotte Brontë of her sister Emily.

She did not stay to retaliate, but re-entered in a minute, bearing a reaming silver pint, whose contents I lauded with becoming earnestness. And afterwards she furnished me with the sequel of Heathcliff's history. He had a 'queer' end, as she expressed it. I was summoned to Wuthering Heights, within a fortnight of your leaving us, she said; and I obeyed joyfully, for Catherine's sake.

In one respect it resembles the modern tale of Wuthering Heights: it has great strength and power, but no beauty. Unlike that, however, it has an important and salutary moral. It is a warning to all who tamper with the mind and rashly experiment upon its religious element.

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