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We have not more than alluded to the sculpture at the Prado; it is not particularly distinguished. The best sculpture we saw in Spain was displayed in wood-carvings. The pride of the Prado is centred upon its Titians, Raphaels, Rubenses, Murillos, El Grecos, and, above all, upon Don Diego de Silva, better known as Velasquez.
Faculties like his are rare; they are only disclosed at his age in such beings as the Giottos, Raphaels, Titians, Rubens, Murillos, for, in my opinion, he will make a better painter than sculptor. God of heaven! if I had such a son, I should be as happy as the Emperor is to have given himself the King of Rome. Well, you are mistress of your child's fate.
I'll take care of you." "It's a pity you were not here a few minutes ago. I have just bought a picture. You might have put the thing through for me." "Bought a picture?" said Mr. Tristram, looking vaguely round at the walls. "Why, do they sell them?" "I mean a copy." "Oh, I see. These," said Mr. Tristram, nodding at the Titians and Vandykes, "these, I suppose, are originals."
He used to go to the house of Dr. Munro, who lived in fine style on the Strand. This gentleman owned Rembrandts, Rubenses, Titians, and other great masterpieces, and in that house the "little barber" had a chance to see the best of art, and also to copy it. This was a great opportunity for him and he made the most of it.
I acknowledge that two hundred pounds seems to be a very small sum for two undoubted Titians of that size; but, on the other hand, as large Italian pictures are now out of fashion at Paris, where fashion decides of everything, and as these pictures are too large for common rooms, they may possibly come within the price above limited.
We have been called by a countryman to admire his gallery of Claudes, Poussins, Rembrandts, Murillos, and Titians, for which he had expended a princely sum, but which there was no difficulty in recognizing as the shop roba got up expressly to entrap the unwary.
All this might indicate an artistic temperament, the ability to do petty things grandly; but Hillard had escaped this. He loved his Raphaels, his Titians, his Veroneses, his Rubenses, without any desire to make indifferent copies of them; he admired his Dante, his Petrarch, his Goldoni, without the wish to imitate them.
To give freshness to his stock, he would interpolate a sacristy scene with much show of embroidered chasubles and golden incensaries, or an occasional bacchanalian, imitating from memory, without models, Titians' voluptuous forms and amber flesh. When the list was ended, the ciociari were once more in style and could be begun again.
"That's better than growing maudlin over a raft of saints who never did me any good. Your Titians and your Veroneses are splendid; there's color and life there. But these cross-eyed mosaics!" Merrihew threw up his hands in protest. Hillard let go his laughter.
She would have liked to talk to them, to get, as it figured to her, into their lives, and was deterred but by the fact that she didn't quite see herself as purchasing imitations and yet feared she might excite the expectation of purchase. She really knew before long that what held her was the mere refuge, that something within her was after all too weak for the Turners and Titians.
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