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'Brother, he says, 'from the time you quitted our preceptor's house, I have heard nothing of you. Your coming has purified my house and made me happy. Krishna then notices the rice and laughingly asks Sudama what present his wife has sent him and why it is hidden under his arm. Sudama is greatly abashed but allows Krishna to take the bundle. On taking it, Krishna eats the rice.
The play of water evokes a melody of line and the result is a sense of upsurging joy. A similar religious exaltation marks other pictures by this master. At some time he appears to have been commissioned to illustrate the tale of Sudama the poor Brahman whose tattered hovel is changed by Krishna into a golden palace.
Krishna, he reflects, can only have given it to him because he doubted his affection. He did not ask Krishna for wealth and cannot fathom why he has been given it. His wife assures him that Krishna knows the thoughts of everyone. Sudama did not ask for wealth, but she herself desired it and that is why Krishna has given it to them. Sudama is convinced and says no more.
As he nears home, he is dismayed to find no trace of his hut, but instead a golden palace. He approaches the gate-keeper and is told it belongs to Sudama, the friend of Krishna. His wife comes out and he finds her dressed in fine clothes and jewels and attended by maid-servants. She takes him in and at first he is abashed at so much wealth.
On another occasion he is visited by Sudama, a Brahman who had lived with him, when, after slaying the tyrant, he and Balarama had gone for instruction to their spiritual preceptor. Since then Sudama has grown thin and poor. The thatch on his hut has tumbled down. He has nothing to eat. His wife is alarmed at their abject state and advises him to seek out Krishna, his chief friend.
His wife then ties up a little rice in an old white cloth and gives it to Sudama as a present to Krishna. Sudama sets out. On reaching Dwarka, he is admitted to Krishna's presence, is immediately recognized and is treated with the utmost kindness and respect. Krishna himself washes his feet and reveres him as a Brahman.
He was evidently assisted by a weaker painter but in the pictures which are clearly his own work, the same quality of lyrical incantation appears. As Sudama journeys to Dwarka Krishna's golden city, his heart swoons with adoration, the hills, trees and ocean appear to dance about him and once again, the linear music of the composition engenders a feeling of supreme ecstasy.
'If you go to him, she says, 'our poverty will end because it is he who grants wealth and virtue, fulfils desires and bestows final happiness. Sudama replies that even Krishna does not give anyone anything without that person giving him something first. As he has not given, how can he hope to receive?
He then conducts Sudama within, feasts him on delicacies and puts him to bed. During the night he sends Visvakarma, the divine architect, to Sudama's home, with instructions to turn it into a palace. The next morning Sudama takes leave of Krishna, congratulating himself on not having asked Krishna for anything.
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