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Updated: May 5, 2025
You would see what I mean if you went into a foreign cathedral, or even into one of the Catholic churches in our large towns. The celebrant, deacon, and subdeacon, acolytes with lights, the incense, and the chanting all combine to one end, one act of worship. You feel it is really a worshipping; every sense, eyes, ears, smell, are made to know that worship is going on.
Celebrant places the B. Sacrament on the paten and thence on the corporal. In the meantime the deacon puts wine into the chalice, and the subdeacon water, which however are neither blessed or consecrated on this day. The Cardinal incenses the offerings and the altar, washes his hands, and recites the Orate Fratres and Our Father.
And, in the first place, to cite only a few leading examples, there certainly are few finer architectural pages than this facade, where, successively and at once, the three portals hollowed out in an arch; the broidered and dentated cordon of the eight and twenty royal niches; the immense central rose window, flanked by its two lateral windows, like a priest by his deacon and subdeacon; the frail and lofty gallery of trefoil arcades, which supports a heavy platform above its fine, slender columns; and lastly, the two black and massive towers with their slate penthouses, harmonious parts of a magnificent whole, superposed in five gigantic stories; develop themselves before the eye, in a mass and without confusion, with their innumerable details of statuary, carving, and sculpture, joined powerfully to the tranquil grandeur of the whole; a vast symphony in stone, so to speak; the colossal work of one man and one people, all together one and complex, like the Iliads and the Romanceros, whose sister it is; prodigious product of the grouping together of all the forces of an epoch, where, upon each stone, one sees the fancy of the workman disciplined by the genius of the artist start forth in a hundred fashions; a sort of human creation, in a word, powerful and fecund as the divine creation of which it seems to have stolen the double character, variety, eternity.
English law, in divorcing itself from the universities and the clergy, became national as well as lay. There were no longer any Weylands who concealed their clerical beginnings, and hid away the subdeacon under the married knight and justice, the founder of a landowning family.
During these two years John's relations with the Church troubled him but little. Negotiations were kept up as before, but they led to nothing. On his return from the Welsh campaign the king met representatives of the pope at Northampton, one of whom was the Roman subdeacon Pandulf, whom John met later in a different mood.
When the deacon arrives near the door of the cancellata, one of the three candles is lighted, and all genuflect, except the subdeacon: the deacon then sings, Lumen Christi, the light of Christ, and the choir answers, Thanks be to God. The other two candles are lighted in turn, as the Deacon approaches nearer to the altar; singing the same words each time, but gradually in a higher tone.
Leo the Ninth, furthermore, in his reply to the letter of Parmenianus concerning monastic zeal, says: "We unequivocally declare that it is not permissible for a bishop, priest, deacon or subdeacon to cast off all responsibility for his own wife on the grounds of religious duty, so that he no longer provides her with food and clothing; albeit he may not have carnal intercourse with her.
After the elevation at those words of the canon, Per quem hæc omnia etc. a little before the Pater noster, the Bishop sits down before a table facing the altar, and exorcises and blesses the oil for the sick, which is brought in by a subdeacon.
Thus He blesses not only the incense, the water at the offertory, the subdeacon and deacon, the preacher, when there is a sermon, and the people after the sermon and at the end of mass, but also the Cardinals on several occasions, and the celebrant himself before he offers up mass. He also, and not the celebrant, kisses the book of the Gospel.
In the ancient churches there were generally in the chorus or choir two ambones, one from which at solemn masses the lector and at a later period the subdeacon used to sing the gospel, with his face usually turned towards that side of the church, where the men were assembled; at Rome this was generally the south side.
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