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Updated: June 16, 2025


"It seems to me you are finding fault with the pillar, my good fellow," the stone-cutter remarked, and the little man nodded with a self-satisfied look. "Well, what do you think of it? Speak out my man," said the master, tapping the fellow's shoulder encouragingly. "The pillar is certainly splendid," began the latter slowly, "the Apostles, the angels, and the Saviour are most beautiful too.

He learned from Jens that the woman was the widow of a stone-cutter, who was killed by an explosion shortly after their marriage. The boots looked quite decent when he returned them. "Well, I've no money, but I do offer you many, many thanks!" she said, looking delightedly at the boots; "and how nice you've made them look! God bless you for it."

For Pietro Urbano, of Pistoja, his pupil, was a man of talent, but would never work hard. Antonio Mini had the will but not the brain, and hard wax takes a bad impression. Jacopo l’Indaco and Mineghella were boon companions of the master. A stone-cutter Domenico Fancelli nicknamed Topolino, Pilote the goldsmith, Giuliano Bugiardini the painter, were of this company.

James's; a stone-cutter in Chiswell Street; and Mr. Follwell's in Spitalfields, for which he died. At the place of execution, whither he was conveyed in a mourning coach, he appeared perfectly composed and submissive to that sentence which his own misdeeds and the justice of the Law had brought upon him.

He was a stone-cutter, and was soon to be married, and he poured out all his plans and hopes into her sympathetic ears, and told of his pretty bride to be, and of her dowry. Mae, in turn, sent her love to the happy bride, and took a charm from her watch-chain to go with it, a tiny silver boat, and she sent it with a hope that some day they might both sail over to America.

One day the stone-cutter carried a gravestone to the house of a rich man, and saw there all sorts of beautiful things, of which he had never even dreamed. Suddenly his daily work seemed to grow harder and heavier, and he said to himself: "Oh, if only I were a rich man, and could sleep in a bed with silken curtains and golden tassels, how happy I should be!"

The Emperor now recognised his escaped slave, and in his terror fell on his knees. "Kill me not! I am a poor stone-cutter, who has lost his way. Show me the way out, whether right or left." "Do you know me?" asked Alexander. "Alexander!" answered the Emperor. "He whom you wished to burn. It is I!" "Mercy! Kill me not!" "Stand up, Caesar! Thy life is in God's hand." "Do I find mercy?"

Nor is the verse itself, with the exception of the last line, unlike the character of Milton’s poetry, and this last may have been mutilated and rendered inharmonious by the action of the stone-cutter, who also confused the death of the father and son.’ It is pleasant to think, not only that Milton now and then came to the Stowmarket Vicarage, but that in the church itself there is a slight record of his poetical fame.

He had no sooner said these words than the intoxicated militiaman started up, and striking the table with his fist said: "I am a poor stone-cutter this is a rainy day and I have come here to pass it in the best way I can.

Claude Lorraine, the pastrycook; Tintoretto, the dyer; the two Caravaggios, the one a colour-grinder, the other a mortar-carrier at the Vatican; Salvator Rosa, the associate of bandits; Giotto, the peasant boy; Zingaro, the gipsy; Cavedone, turned out of doors to beg by his father; Canova, the stone-cutter; these, and many other well-known artists, succeeded in achieving distinction by severe study and labour, under circumstances the most adverse.

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