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Updated: June 12, 2025


On perceiving the sculptural group of two prone, interlocked girls, one enveloped in a crinoline, and the other with a wool-work bunch of flowers pinned to her knee, he jumped back, ceased groaning, arranged his face, and seriously tried to pretend that it was not he who had been vocal in anguish, that, indeed, he was just passing as a casual, ordinary wayfarer through the showroom to the shop below.

The graceful figures atop the two fountain columns in the oval sunken garden are the Rising and the Setting Sun, by Adolph A. Weinmann. The sculptural adornment of the shafts is detailed in the chapter on Fountains. The titanic Elements slumber on the balustrade, one on either hand of the stairways leading down on north and south into the sunken area.

He no doubt thought of his friend's forecast as he travelled along the highway in his chariot; but the sculptural repose of his profile against the vanishing daylight on his right hand would have shown his friend that the Earl's equanimity was undisturbed.

Although Felicia's bronze group had not the proportions of those productions, its exceptional merit had procured for it the honor of a position at one of the points of intersection of the aisles in the centre, from which the public was standing respectfully aloof at that moment, staring over the shoulders of the line of attendants and police officers at the Bey of Tunis and his suite, a group of long burnous, falling in sculptural folds, which made them seem like living statues confronting the dead ones.

The whole Chinese ensemble seems a riot of terrible colors, devoid of all the mellow qualities of Oriental art. If China's art was retired with the Manchu dynasty, then I hope the new Republic will soon die a natural death. The Sculpture The sculptural decorations of the Exposition are so much a part of the architectural scheme that their consideration must no longer be delayed.

He was the most important metal worker in Germany. He and Adam Kraft, of whom mention will be made when we come to deal with sculptural carving, were brought up together as boys, and "when older boys, went with one another on all holidays, acting still as though they were apprentices together." Vischer's normal expression was in Gothic form. His first design for the wonderful shrine of St.

Sauvresy was alone reading, in the brilliantly lighted drawing-room. Hector seated himself opposite her, a little aside, and was thus able to observe her at his ease, while engaging her in conversation. His first impression was an unfavorable one. He found her beauty too sculptural and polished.

If it was not the real originality of jazz music that was being discussed, it was the sureness of the natural untaught taste of the denizens of the East End and South London, and if not that then the greatness of male revue artistes, and if not that then the need of a national theatre and of a minister of fine arts, and if not that then the sculptural quality of the best novels and the fictional quality of the best sculpture, and if not that then the influence on British life of the fox-trot, and if not that then the prospects of bringing modern poets home to the largest public by means of the board schools, and if not that then the evil effects of the twin great London institutions for teaching music upon the individualities of the young geniuses entrusted to them, and if not that the part played by the most earnest amateurs in the destruction of opera, and if not that the total eclipse of Beethoven, Brahms and Wagner since the efflorescence of the Russian Ballet.

We got from them the sense of that architectural and sculptural richness which the interior of no Spanish church ever failed measurably to give; but what their historical associations were I will not offer to say. The associations of San Sebastian with the past are in all things vague, at least for me.

When the motive is conventional or otherwise insipid, or even when its character is distinctly light without being trivial, they are legitimately enough agreeable. And because, in our day, sculptural motives have generally been of this order we have become accustomed to look for such excellences, and, very justly, to miss them when they are absent.

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