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Updated: June 5, 2025
When Beethoven, in the early part of 1827, was in dire distress from poverty, just before his death, it was to Moscheles that he applied for assistance; and it was this generous friend who promptly arranged the concert with the Philharmonic Society by which one hundred pounds sterling was raised to alleviate the dying moments of the great man whom his own countrymen would have let starve, even as they had allowed Schubert and Mozart to suffer the direst want on their deathbeds.
Nor did he forget his old master Holzer, the organist of the little church where the composer himself regularly attended. During 1814, Schubert composed his first mass, which was performed October 16. It excited so much interest that it was repeated ten days later at the Augustine church. Franz conducted, the choir was led by Holzer, Ferdinand sat at the organ, and Therese sang the soprano solos.
Suavity, smoothness, piquancy, perfect balance between section and section, and each movement and the other movements these characterize all the later quartets. They were intended for chamber use only to play them in a large hall is criminal and it almost goes without saying that, after the hot stuff of Beethoven and even Schubert, more than a couple of them in an evening palls on one's palate.
Trying to be original...." Followed a paragraph on true originality, that of the masters who are dead and buried, Mozart, Beethoven, Loewe, Schubert, Brahms, "those who are original without thinking of it."
Some day the natural clumsiness and imperfection of fingers, lips and larynxes will be overcome by mechanical devices, and we shall have Beethoven and Mozart and Schubert in such wonderful and perfect beauty that it will be almost unbearable.
In the audience sat old Salieri, Court Capellmeister of Vienna, with whom Beethoven had studied. Salieri praised Schubert for his work, and said that he should become his pupil. He kept his word and gave the young composer daily lessons for some time. The father was so proud and happy that he bought a five octave piano for his boy, to celebrate the event.
Sir George Grove outdoes Liszt in his Schubert worship; and an astonishing genius lately rushed in, as his kind always does, where Sir George would fear to tread, boldly, blatantly asserting that Schubert is "the greatest musical genius that the Western world has yet produced." On the other hand, Mr.
Look at your Tolstoy...." Christophe had written to him: he had been filled with enthusiasm for him, and had wept over his books: he wanted to set one of the peasant tales to music, and had asked for his authority, and had sent him his lieder. Tolstoy did not reply, any more than Goethe replied to Schubert or Berlioz when they sent him their masterpieces.
But Schubert was too homely even for a housemaid, so in despair he turned to the young countess and loved her they say, till death. Once, she jokingly demanded why he had never dedicated anything to her, and the legend says he cried: "Why should I, when everything I write is yours?"
They made plain how much of beauty the chamber music repertory offered the amateur string player; not only in the classic repertory Haydn, Mozart, Beethoven, Spohr; in Schubert, Schumann, Brahms; but in Smetana, Dvořák and Tschaikovsky; in César Franck, Debussy and Ravel.
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