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Although Brazil has not yet produced any Amazons of poetry or fiction to stand beside such names as Sor Inés de la Cruz or Gertrudis Gómez de Avallaneda, it has contributed some significant names to the women writers of Latin America. In addition to these activities she made herself favorably known in the press of Rio, Sao Paulo and Pernambuco. Her career started with the novel Confession.

The whole is even ruder and simpler than Villarinho, but has a certain amount of dignity due to the great size of the stones of which it is built and to the severe plainness of the walling. Only one other church of this type need be described, and that because it is the only one which is vaulted throughout. This is the small church of São Martim de Cedo Feita or 'Early made' at Oporto itself.

Here all is purely Gothic, there there is a mixture of Gothic and renaissance details, and towards the west front an exuberance of carving which cannot be called either Gothic or anything else, so strange and unusual is it. Another church of almost exactly the same date is that of São João Baptista, the Matriz of Villa do Conde.

The next day takes you to Pico Ruivo, Rothhorn, Puy Rouge, or Red Peak, the loftiest in the island, whose summit commands a view of a hundred hills, and you again night at Santa Anna. The third stage is to the rocky gorge of Sao Vicente, which abounds in opportunities for neck-breaking.

The west door is a good simple example of the first pointed period, with plain moulded arches and shafts which bear simple French-looking capitals. Other churches of the same class are those of São Christovão do Rio Mau not far from Villo do Conde, and São Pedro de Rates, a little further up the Ave at the birthplace of the first bishop of Braga and earliest martyr of Portugal.

The most original in plan as well as in decoration of all the buildings of this time is the church of the nunnery of São Domingos at Elvas, like nearly all nunneries in the kingdom now fast falling to pieces. In plan it is an octagon about forty-two feet across with three apses to the east and a smaller octagonal dome in the middle standing on eight white marble columns with Doric capitals.

Nsundi, the settlement above the Falls, was a journey of two moons, and none of the ten "kings" on the way would take less than Nessudikira's "dash." Congo Grande, as the people call Sao Salvador, was only four marches to the E.S.E.; the road, however, was dangerous, and an escort of at least fifty men would be necessary.

It is probable, therefore, that tradition is right in assigning São Vicente to Terzi, and even if it be actually the work of Tinouco, he has here done little but copy what his master had already done elsewhere. After São Roque the first church begun by Terzi was Santo Antão, now attached to the hospital of São José.

Inside it is the Ponta de Sao Lourenco, where the Zargo, when startled, called upon his patron Saint of the Gridiron; others say it was named after his good ship. At Funchal the cable lands north of Fort Sao Thiago Minor, where ships are requested not to anchor.

The citadel de Sao Miguel, lately blown up, has been restored; the extensive works of dressed freestone, carefully whitewashed, stand out conspicuously from the dark bush dotting the escarpment top. Here also is the Alto das Cruzes, the great cemetery, and the view from the sheer and far-jutting headland is admirable.