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Updated: June 7, 2025
Yet the Sicilian poets of the courts of Hohenstauffen and Anjou, recognizable by their name or the name of their town, Inghilfredi, Manfredi, Ranieri and Ruggierone da Palermo, Tommaso and Matteo da Messina, Guglielmotto d' Otranto, Rinaldo d'Aquino, Peir delle Vigne, either maintain altogether unchanged the tone of the troubadours, or only gradually, as in the remarkable case of the Notary of Lentino, approximate to the platonic poets of Tuscany.
Tribolo, then, thus summoned by San Gallo by order of Clement, went with all his family to Loreto, whither there likewise went Simone, called Mosca, a very rare carver of marble, Raffaello da Montelupo, Francesco da San Gallo the younger, Girolamo Ferrarese the sculptor, a disciple of Maestro Andrea, Simone Cioli, Ranieri da Pietrasanta, and Francesco del Tadda, all invited in order to finish that work.
In the first part of the work painted by Antonio there is seen, in company with the said Ranieri when he is embarking in order to return to Pisa, a good number of figures wrought with diligence, among which is the portrait of Count Gaddo, who died ten years before, and that of Neri, his uncle, once Lord of Pisa.
If we follow the Via Torelli a little, we pass, on the right, the Oratory of S. Ranieri, the patron saint of Pisa, where there is a crucifix by Giunta Pisano which used to hang in the kitchen of the Convent of S. Anna, not far away, where Emilia Viviani was "incarcerated," as Shelley says. Close by are the few remains of the Baths of Hadrian.
Ranieri when presented by St. Peter and St. Paul. He sits on the rainbow; his left hand holds an open book, inscribed, "Come, ye blessed of my Father!" while the right is raised in benediction. The Virgin stands on the right entirely within the glory; "she is sweet in feature and graceful in attitude, in her long white robe." The Baptist stands on the left outside the glory.
Ranieri della Sassetta rode in at the head of 100 mounted arbalisters, and Francesco de Luna with a body of 50 arquebusiers. 1 The arquebus, although it had existed in Italy for nearly a century, was only just coming into general use. Valentinois sent out Raffaele dei Pazzi and Galeotto Pallavicini, the one into Lombardy to recruit 1,000 Gascons, the other to raise a body of Swiss mercenaries.
Light-hearted 'midst the dewy lanes I fared Unto the sea, whose jocund gleam I caught Between the slim boles, when I heard the clink Of naked weapons, then a sudden thrust Sickening to hear, and then a stifled groan; And pressing forward I beheld the sight That seared itself for ever on my brain My kinsman, Ser Ranieri, on the turf, Fallen upon his side, his bright young head Among the pine-spurs, and his cheek pressed close Unto the moist, chill sod: his fingers clutched A handful of loose weeds and grass and earth, Uprooted in his anguish as he fell, And slowly from his heart the thick stream flowed, Fouling the green, leaving the fair, sweet face Ghastly, transparent, with blue, stony eyes Staring in blankness on that other one Who triumphed over him.
But to return to Don Lorenzo; he taught Francesco Fiorentino, who, after his death, painted the shrine that is on the Canto di S. Maria Novella, at the head of the Via della Scala, on the way to the Sala del Papa; and he taught another disciple, a Pisan, who painted a Madonna, S. Peter, S. John the Baptist, S. Francis, and S. Ranieri, and three scenes with little figures on the predella of the altar, in the Church of S. Francesco at Pisa, in the Chapel of Rutilio di Ser Baccio Maggiolini; and this work, painted in 1315, was held passing good for something wrought in distemper.
He now proceeded to Florence, and while there became acquainted with an Italian poet, Ranieri di Calzabigi. They were mutually attracted to each other, and on parting had sworn to use their influence and talents to reform Italian opera. Gluck returned to Vienna, and continued to compose operas. In 1764, "Orfeo" was produced, an example of the new reform in opera!
During the fifteenth century it remained in a state of the most miserable internal discord, owing to the feuds of its noble families. On March 22, after undergoing this discipline, the whole of Perugia seemed to have repented of its sins; but the first entry for April 15 is the murder of one of the Ranieri family by another of the same house. So transitory were the effects of such revivals.
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