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Updated: May 12, 2025


Amid all the horror that followed, it is not Savonarola that we see to-day as the hero of a situation he had himself helped to create, but Piero Capponi, who, Piero de' Medici having surrendered Pietrasanta and Sarzana, stood for the Republic. On 9th November Piero and Giuliano his brother fled out of Porta di S. Gallo, while Savonarola with other ambassadors went to meet the King.

On foot nothing matters but the dust, and if you start early from Massa that will not annoy you, for in the early morning, for some reason of the gods, the dust lies on the highway undisturbed, while by ten o'clock the air is full of it. It is a bad road then all the way to Pietrasanta, but most wonderful and lovely nevertheless.

But the Marchese di Carrara, thinking that Michael Angelo, as a citizen of Florence, might have been the originator of the quarrying at Pietrasanta, became his enemy; nor would he allow him to return to Carrara afterwards even for marble that he had already quarried, which was a great loss to Michael Angelo.

Already I saw myself exploring those regions, interviewing directors as to methods of work and output, poking my nose into municipal archives and libraries to learn the history of those various quarries of marble, plain and coloured; tracking the footsteps of Michael Angelo at Seravezza and Pietrasanta and re-discovering that old road of his and the inscription he left on the rock; speculating why the Romans, who ransacked the furthermost corners of the earth for tinted stones, knew so little of the treasures here buried; why the Florentines were long content to use that grey bigio, when the lordly black portovenere, with its golden streaks, was lying at their very doors....

Then the road winds through a gorge beside a river, and at last between delicious woods of olives full of silver and golden shade most pleasant in the heat, past Seravezza in the hills, you come to the little pink and white town of Pietrasanta under the woods, at noon. Pietrasanta is set at the foot of the Hills of Paradise, littered with marble, planted with figs and oleanders, full of the sun.

For many years a single pillar, the only one that ever came to Florence of all those hewn for the church in Pietrasanta, lay forlorn in the Piazza.

All his way through Prato, Pistoja, Lucca, Pietrasanta Sarzana, Pontremoli to Milan was a triumphal progress. He came home to find his father ailing, and on 2nd December 1469, Piero de' Medici died. He was buried in S. Lorenzo, in a tomb made by Verrocchio.

For he was attached to the Works of the Duomo at Pisa, and has laboured up to the present day with great credit to himself in the Chapel of the Nunziata, formerly built by Stagio da Pietrasanta, executing the Angel and the Madonna in figures of four braccia, together with the carvings and every other thing; in the centre, Adam and Eve, who have the apple-tree between them; and a large God the Father with certain little boys on the vaulting of that chapel, which is all of marble, as are also the two statues, which have gained for Moschino no little fame and honour.

Matteo Civitali of Lucca made the wooden lectern behind the high altar, and Giovanni da Bologna forged the crucifix, while Andrea del Sarto, not at his best, painted the Saints Margaret and Catherine, Peter and John, to the right and left of the altar. The capital of the porphyry column here is by Stagio Stagi of Pietrasanta, while the porphyry vase is a prize from a crusade.

Then in the early morning, perhaps, you will enter S. Martino and hear the early Mass, where there are still so many worshippers, and then, lingering after the service, you will admire the pulpit, carved really by one of those youths whose frankness and grace surprised you in the Piazza on the night before Stagio Stagi, a native of this place, a fine artist whose work continually meets you in Pietrasanta.

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