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She reminded him, even more than was usual, of the faces of some of the women created by the painter of the Primavera. She had, at that moment, their downcast, heartbroken expression, which seems ready to succumb beneath the burden of a grief too heavy to be borne, when they are merely allowing the Infant Jesus to play with a pomegranate, or watching Moses pour water into a trough.
Michelangelo, who was a young man when he heard him preach, read his sermons to the end of his long life. But upon Botticelli his influence was most powerful, for he turned that master's hand from such pagan allegories as the "Primavera" and the "Birth of Venus" wholly to religious subjects. Savonarola had three adjoining cells.
Jenny returned presently with a small copy of Botticelli's "Primavera," which hung in her bedroom; and it was undoubtedly true that the figure of Flora might well have passed for a portrait of Isabel.
But he, to whom, up till then, nothing could have seemed so tedious as was all that pertained to the cosmopolitan life of Baden or of Nice, now that he learned that Odette had, perhaps, led a 'gay' life once in those pleasure-cities, although he could never find out whether it had been solely to satisfy a want of money which, thanks to himself, she no longer felt, or from some capricious instinct which might, at any moment, revive in her, he would lean, in impotent anguish, blinded and dizzy, over the bottomless abyss into which had passed, in which had been engulfed those years of his own, early in MacMahon's Septennat, in which one spent the winter on the Promenade des Anglais, the summer beneath the limes of Baden, and would find in those years a sad but splendid profundity, such as a poet might have lent to them; and he would have devoted to the reconstruction of all the insignificant details that made up the daily round on the Cote d'Azur in those days, if it could have helped him to understand something that still baffled him in the smile or in the eyes of Odette, more enthusiasm than does the aesthete who ransacks the extant documents of fifteenth-century Florence, so as to try to penetrate further into the soul of the Primavera, the fair Vanna or the Venus of Botticelli.
One could hardly help looking over one's shoulder to see if they were not following to that farthermost room called Primavera, which is painted around and aloft like a very bower of spring, with foliage and flowers covering the walls and dropping through the trellis feigned overhead.
And Margaret, hatless, with the fair hair above her thin, delicately pink face very simply done, came to meet our rather too consciously dressed party, we had come in the motor four strong, with my aunt in grey silk. Margaret wore a soft flowing flowered blue dress of diaphanous material, all unconnected with the fashion and tied with pretty ribbons, like a slenderer, unbountiful Primavera.
This beautiful blackbird, for instance, is never seen in Mexico except in the spring, which has caused it to be called here the primavera." "Look, papa, at these beautiful yellow flowers; they cover the trunk of this tree so completely that it appears as if they grew on it."
One day he saw Love coming to him full of joy; and his own heart became so joyful that it seemed to him it could not be his heart, so changed was its condition. Then he saw approaching him a lady of famous beauty, who had been the lady of his first friend. Her name was Giovanna, but on account of her beauty she was called Primavera, which means Spring. And with her was Beatrice.
At the time of Lorenzo and Giuliano's famous tournament in the Piazza of S. Croce, Poliziano wrote, as I have said, the descriptive allegorical poem which gave Botticelli ideas for his "Birth of Venus" and "Primavera". He lives chiefly by his Latin poems; but he did much to make the language of Tuscany a literary tongue.
Over all hovers a cupid who is sending love-shafts into the hearts of all in springtime. Notice the lacy effect of the flowers that bestar the wind-blown gown of "La Primavera," the fern-like leaves that fleck the background; the draperies that do not conceal the forms of the nymphs of the lovely springtime.
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