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Updated: May 31, 2025


I am now expecting the pianoforte arrangements of my operas, in order to secure my rights, which will be of importance, whether I want my operas to be performed or whether I want to prevent their performance. The management of the Grand Opera has made no move, but M. Carvalho, of the Theatre Lyrique, seems to be lying in wait for me.

She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! And so extremely accomplished for her age! Her performance on the pianoforte is exquisite." "It is amazing to me," said Bingley, "how young ladies can have patience to be so very accomplished as they all are."

The virtuosos look to the students of the world to do their share in the education of the great musical public. Do not waste your time with music that is trite or ignoble. Life is too short to spend it wandering in the barren Saharas of musical trash. In all good pianoforte playing there is a vital spark that seems to make each interpretation of a masterpiece a living thing.

After the whole of the figures of a given chamber have been described, the assistants wind them all up, and they go through their various movements simultaneously, to a pianoforte accompaniment, which should gradually go faster, coming at last to a sudden stop, when the figures become motionless and the curtain falls. Mrs.

Herr Carl Zulehner, a piratical engraver in Mayence, has announced an edition of my collected works for the pianoforte and also stringed instruments. I consider it my duty publicly to inform all friends of music that I have no share whatever in this edition.

The pianoforte had to wait for fifty years for satisfactory regulation of the escapement. In the first action, the hammer rests in a silken fork, dropping the whole distance of the rise of every blow. The check in the second action, the "paramartello," is next in importance to the escapement.

In only one direction was it possible to go beyond Chopin, in that of making the piano capable of reproducing orchestral effects. This, Liszt achieved in his own works and his transcriptions. But, after all, the grandest pianoforte, while delightful as such, is but a poor substitute for an orchestra.

I should like to say it was taken from, or suggested by, a few bars in the opening of Beethoven's pianoforte sonata op. 78, and a few bars in the accompaniment to the duet "Hark how the Songsters" in Purcell's Timon of Athens. From the pianoforte arrangement in The Beauties of Purcell by John Clarke, Mus. Doc. Honesty

Stodart appears to have preceded Broadwood in taking up the manufacture of the grand piano by four or five years. In 1777 he patented an alternate pianoforte and harpsichord, the drawing of which patent shows the Backers action. The pedals he employed were to shift the harpsichord register and to bring on the octave stop.

The effects of repeated notes succeeding one another with increasing or decreasing force, and of arpeggio passages, have been so fully explored and made available in standard music of every grade, that necessarily the public taste has set itself to appreciate the pianoforte solo and the accompanied song exactly as they are written and performed.

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