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Updated: May 15, 2025


Pasquarello sobbed, wept, and cursed his fate which brought him nothing but grief and misery; declared he did not know how he should manage to laugh, were it but ever so little, and concluded by saying that, in the excess of his despair, he would most certainly cut his throat, were it not that the sight of blood always made him faint; or throw himself into the river, if he only could help swimming when in the water.

Imagine the corpse of the beautiful girl on the open tier, Surrounded by the mourners, their solemn De profundis, and along with all this, the comic masks, Doctor Graziano and Pasquarello, expressing their grief in the most absurd gesticulations; and then the two Capuzzis, howling and crying in despair.

Capuzzi on the stage patted Pasquarello on the shoulder, and said he could confide to a faithful servant like him, that the truth was that he really knew nothing whatever about music, and that the aria he had been mentioning, like all the arias he had ever written, was cribbed from Frescobaldi's canzone, and Carissimi's motets.

At length Pasquarello said that the Doctor was only exposing gross ignorance, since he did not know the name of the greatest composer of the time. It was no other than Signor Pasquale Capuzzi, who had done him the honour of taking him into his service. Could he not see that he was the friend and servant of Signor Pasquale? Then the Doctor broke out into a loud long roar of laughter, and cried.

Doctor Gratiano now joined him, and inquired what was the cause of his trouble. Whereupon Pasquarello asked him whether he did not know anything about what had taken place in the house of his master, Signor Pasquale Capuzzi di Senigaglia, whether he did not know that an infamous scoundrel had carried off pretty Marianna, his master's niece?

He marries the sweet Marianna, the lucky Pasquale! He always knew the little dove loved him; it was but the devil that led her astray." In that case, Doctor Graziano said, everything was well, and there was no cause for lamentation. But Pasquarello began to sob and cry more violently than before, and at last fell down in a faint, as if overcome by his terrible sorrow.

Without paying attention to his outcry, two gentlemen of dignified appearance Evangelista Torricelli and Andrea Cavalcanti took him by the arms, one on each side, and conducted him to a seat in front of the stage, taking their places on either side of him. No sooner were they seated than there entered on to the stage, Formica, as Pasquarello!

Then he produced and read over a list of all the rarest and most expensive dishes, making Pasquarello tell him how much each would cost, and at the same time giving him the money for them. "Pasquale! You're insane! You've gone mad! You good-for-nothing scamp!

Pasquarello wept and sobbed, and cursed his destiny, which brought him nothing but grief and heart-breaking, declared he didn't know how he should ever set about it if he wanted to laugh again, and concluded by saying that if he could look upon blood without fainting, he should certainly cut his throat, or should throw himself in the Tiber if he could only let that cursed swimming alone when he got into the water.

The man who played the rôle of Pasquarello, and who called himself Signor Formica, seemed to be animated by a spirit of singular originality; often there was something so strange in either tone or gesture, that the audience, even in the midst of the most unrestrained burst of laughter, felt a cold shiver run through them. He was excellently supported by Dr.

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