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Although thanks to his father, he played no instrument, he was passionately fond of music, real classical music. Panshin was not at the Kalitins' that evening. The governor had sent him off to some place out of the town. Lisa played alone and very correct; Lemm woke up, got excited, twisted a piece of paper into a roll, and conducted.

The words, "Only the righteous are justified" and "Elisaveta Kalitin," were encircled by rays. Below was written: "For you alone, fur Sie allein." This was why Lemm had grown red, and looked reproachfully at Lisa; he was deeply wounded when Panshin spoke of his cantata before him.

They returned to Marya Dmitrievna and Panshin, where a game of picquet was still dragging on. The last king was called at last, and the lady of the house rose, sighing and groaning from her well-cushioned easy chair. Lavretsky followed him. They parted at the gate. Panshin walked his! coachman by poking him in the neck with the end of his stick, took his seat in the carriage and rolled away.

He had composed nothing for a long time; but apparently, Lisa, his best pupil, had been able to inspire him; he had written for her the cantata to which Panshin had! made allusion. The words of this cantata he had borrowed from his collection of hymns. He had added a few verses of his own. It was sung by two choruses a chorus of the happy and a chorus of the unhappy.

Then he fell to thinking of Lisa, that she could hardly love Panshin, that if he had met her under different circumstances God knows what might have come of it; that he undertook Lemm though Lisa had no words of "her own:" but that, he thought, was not true; she had words of her own. "Don't speak light of that," came back to Lavretsky's mind.

As he came out, he said to Lisa: "Votre mere vous appelle; adieu a jamais,"... mounted his horse, and set off at full trot from the very steps. Lisa went in to Marya Dmitrievna and found her in tears; Panshin had informed her of his ill-luck. "Do you want to be the death of me? Do you want to be the death of me?" was how the disconsolate widow began her lamentations. "Whom do you want?

He ended by proposing to Marya Dmitrievna a game of picquet. "What! on such an evening?" she replied feebly. She ordered the cards to be brought in, however. Panshin tore open a new pack of cards with a loud crash, and Lisa and Lavretsky both got up as if by agreement, and went and placed themselves near Marfa Timofyevna.

The old man muttered some reply, and Panshin continued in German, mispronouncing the words "Lisaveta Mihalovna showed me the religious cantata you dedicated to her a beautiful thing! Pray, do not suppose that I cannot appreciate serious music quite the contrary: it is tedious sometimes, but then it is very elevating."

He brought forward his own education as an example, and demanded before all things a recognition of the true spirit of the people and submission to it, without which even a courageous combat against error is impossible. Finally he admitted the reproach well-deserved as he thought of reckless waste of time and strength. "That is all very fine!" cried Panshin at last, getting angry.

Marya Dmitrievna had called her so as to leave her daughter, at least for a moment, alone with Panshin; she was still secretly hoping that she would come round. Besides, an idea had entered her head, to which she was anxious to give expression at once.