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Then he took it down, and having opened the sack he was much pleased to see the beautiful feathers, one of which he placed on his head. It waved gracefully over him as he walked to his companions' camp, and when he came there he threw down the head and sack and told his friends how he had found them, and how the sack was full of paints and feathers. The men all took the head and made sport of it.

His anger clothes itself in more stringent appeals and clearer revelations of Himself before it takes its slaughtering weapons in hand. The darker the background of sin, the brighter the beams of His light show against it. Man's sin is made the occasion for a more glorious display of God's character and heart. It is on the storm-cloud that the sun paints the rainbow.

And hence man in the general may properly be called Pontifex, or "The Bridge Builder"; and his symbolic summits of office will carry some such title. Thus he paints and draws and makes statues, and builds for beauty as well as for shelter from the weather.

He paints pictures, makes statues, writes novels or poems or plays or sonatas which the workman has neither the leisure nor the education to enjoy. The money paid by the artist to the artisan represents nothing which the former rightfully owns or can give, but only a claim to the labor of other men, enforced by the system of wage-economy.

Old Rouget had killed too many people not to know when his own end was nigh; and his notary, finding him on his death-bed, draped as it were, in the mantle of encyclopaedic philosophy, pressed him to make a provision in favor of the young girl, then seventeen years old. "So I do," he said, cynically; "my death sets her at liberty." This speech paints the nature of the old man.

It makes an excellent bag, in which the native carries his paints or other articles; and a large one, stretched out, makes a very comfortable cap. Indeed, Guapo used the first spathe he laid his hands upon for this very purpose. There remained now to be found some palm-tree that would split easily, and make laths for the roof, as well as planks for the door, shelves, and benches.

He is usually thought to be at his best in descriptions of farmers, village mechanics, laborers, dairymen, men who kill pigs, tend sheep, furze-cutters, masons, hostlers, loafers who do nothing in particular, and while thus occupied rail on Lady Fortune in good set terms. Certainly he paints these people with affectionate fidelity. Their virile, racy talk delights him.

Feathers and paints are with them now quite out of date; still their coats, pants, leggings, and moccasins are principally made of the beautifully tanned skins of the moose and reindeer, and handsomely ornamented with bead work, at which the Cree women are most skillful. Of course Frank, Alec, and Sam were speedily fitted out in the dress of the country, and were quite proud of their appearance.

No man lives to himself alone, or builds his cottage for his selfish gratification. He makes fantastic carpentry, and paints and decorates and illuminates and shows fireworks, for the genuine sake of display.

"Set a fool to say his prayers, and he will crack his skull on the floor! Why, who paints oars green! Do think, blockhead! Use your sense! Why don't you speak?" "I . . . I . . . made a mistake," said a husky tenor apologetically. The tenor belonged to Groholsky. Groholsky saw me to the station. "He is a despot, a tyrant," he kept whispering to me all the way. "He is a generous man, but a tyrant!