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In the immense majority of both plants and animals, it is certain that the germ is not merely a body in which life is dormant or potential, but that it is itself simply a detached portion of the substance of a pre-existing living body; and the evidence has yet to be adduced which will satisfy any cautious reasoner that "omne vivum ex vivo" is not as well-established a law of the existing course of nature as "omne vivum ex ovo."

The ovum is for Harvey more a concept than an observed fact, and, as stated by one student of generation, "The dictum ex ovo omnia, whilst substantially true in the modern sense, is neither true nor false as employed by Harvey, since to him it has no definite or even intelligible meaning." Harvey's treatise on generation is clearly a product of his time.

'Die Feen' consequently has little claim to originality, but the work is nevertheless interesting to those who desire to trace the master's development ab ovo. Both in the melodies and rhythms employed it is possible to trace the germs of what afterwards became strongely marked characteristics. Wagner himself never saw 'Die Feen' performed.

Ulysses passed an entire day with the tranquillity of one who awaits at a sure place, gazing at the gulf from the balcony. Below him was the Castello dell' Ovo connected with the land by a bridge. The bersaglieri were occupying their ancient castle, work of the viceroy, Pedro of Toledo.

Out of these researches arose a famous battle which kept Pasteur hard at work for four or five years the struggle over spontaneous generation. It was an old warfare, but the microscope had revealed a new world, and the experiments on fermentation had lent great weight to the omne vivum ex ovo doctrine.

You know Harvey's saying, omnia animalia ex ovo, all animals come from an egg. You ought to know it, for the great controversy going on about spontaneous generation has brought it into special prominence lately. Well, then, the ovum, the egg, is, to speak in human phrase, the Creator's more private and sacred studio, for his magnum opus.

I had not been there since 1864, but when I woke up the morning after my arrival, and heard the chickens cackling in the Castel dell' Ovo, and the donkeys braying, and the cab-drivers quarrelling, and the cries of the street vendors, and the dogs barking, and the children wailing, and their mothers scolding, and the clatter of wheels and hoops and feet, and all that mighty harmony of the joyful Neapolitan noises, it seemed to me that it was the first morning after my first arrival, and I was still only twenty-seven years old.

On the egg is written Ex ovo omnia, a legend since transmuted to the epigram Omne vivum ex ovo. The legend illustrates Harvey's principal theme, repeated constantly throughout the text, "that all animals were in some sort produced from eggs." If Harvey made no contribution beyond emphasizing the origin of animals from eggs, he would deserve a prominent place in the history of embryology.

With her wealth, her youth, her effervescent spirits, and her early widowhood, she leads men after her; they talk, they chatter, they set up an opinion and gloat over it, while they lack the spirit to support it. They are all alike non tantum ovum ovo simile one egg is not more like another than they are. Non tali auxilio we want no such help.

Here he sat down, and bade me be seated; though I thought he looked a little ruefully from his clean chair to my muddy rags. "And now," says he, "if you have any business, pray be brief and come swiftly to the point. Nec gemino bellum Trojanum orditur ab ovo do you understand that?" says he, with a keen look.