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Updated: May 15, 2025
His orchestra prattles merrily along, underlining each situation in turn with happy emphasis, but it never attempts to dethrone the human voice from its pride of place. Like the blithe Beatrice, 'Much Ado about Nothing' was born under a star that danced. It overflows with delicious melody, and its orchestration is the ne plus ultra of finished musicianship.
His glance enveloped her with piteous mockery. The din was tremendous. After passages of dark music, in which the formless ugly reigned, occurred the poetic duel between Sordello and Eglamor at Palma's Court of Love. But why all this stress and fury? On the pianoforte the delicate episode sounded gratefully; with the thick riotous orchestration came a disillusioning transformation.
Immediately on my return from Berlin I had begun the orchestration of Lohengrin, and in all other respects had given myself up to greater resignation, which made me feel I could face my fate calmly, when I suddenly received a very disturbing piece of news. In the beginning of February my mother's death was announced to me.
He is esthetically a responsible factor, since it concerns him as part of the great idea. He is leading soloist and auxiliary in one. He is the significant instrument in the orchestration of the theme at hand, and knows his body will respond to every requirement of phrasing.
At this distance, the matter of conducting his symphony the orchestration of which he knew by heart seemed to hold out few difficulties. He considered, a little, in silence; and then proceeded to discuss the prospect with his visitor. There were still four weeks before the concert. Work could be begun immediately.
Mr. de Lara's earlier works, 'The Light of Asia, 'Amy Robsart, and 'Moina' failed completely. There is better work in 'Messaline' . The musical ideas are poor in quality, but the score is put together in a workmanlike manner, and the orchestration is often clever.
John K. Paine and J. C. D. Parker, finishing her orchestration with George W. Chadwick. Her own persistent study has been of great advantage to her. She began composing at the age of twelve, numbering among her early works several songs and a movement of a piano quintette. Her efforts in larger forms have been unusually well received.
His very deadly earnestness over the "lesson" of his opera and his desire to express his feeling accurately and logically led to his overweighting small melodies with ponderous harmonies. The orchestration of the day was heavy.
This, at length, he, in the company of de Windt, tentatively did: taking his place in one of Zaremba's classes of composition, and undertaking the study of orchestration under Serov. Here Ivan showed himself phenomenally prolific in the production of exercises; and he grasped the difficult principles of composition in a remarkably short space of time.
This did not in the least discourage Giuseppe, and at the suggestion of Alessando Rolla, who was then conductor of La Scala, he asked Lavigna to give him lessons in composition and orchestration. Lavigna was a former pupil of the Conservatoire of Naples and an able composer. Verdi showed him some of the same compositions he had shown Basili.
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