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When the three desperadoes closed in on O'Ryan, and, with a blow from the shoulder which was not a pretence, he sent Holden into a far corner gasping for breath and moaning with pain, the audience broke out into wild cheering. It was superb acting, they thought. As most of them had never seen the play, they were not surprised when Holden did not again join the attack on the deputy sheriff.

After his interview with Detective Ferguson that morning, he had wired Philip Rochester to return to Washington at once. He had requested an immediate reply, and had fully expected to find a telegram at his office when he stopped there on his way to the morgue, but none had come. "Whom did you see in the McIntyre house?" the coroner asked O'Ryan.

For O'Ryan the theatre, the people, disappeared. He was a boy again on the village green, with the bully before him who had tortured his young days. He forgot the old debt to the foe who saved his life; he forgot everything, except that once again, as of old, Constantine Jopp was fighting him, with long, strong arms trying to bring him to the ground.

He would have enjoyed the battue of punishment under ordinary circumstances; but he knew that Miss Molly Mackinder would be humiliated and indignant at the half-savage penalty they meant to exact. He had determined that O'Ryan should marry her; and this might be an obstruction in the path.

Once there was occasion for O'Ryan to catch Fergus by the arm, and Fergus winced from the grip. When standing in the wings with Terry he ventured to apologise playfully for the joke, but Terry made no answer; and once again he had whispered good-naturedly as they stood together on the stage; but the reply had been a low, scornful laugh. Fergus realised that a critical moment was at hand.

There was an out-door scene in the play produced by the impetuous amateurs, and dialogue had been interpolated by three "imps of fame" at the suggestion of Constantine Jopp, one of the three, who bore malice toward O'Ryan, though this his colleagues did not know distinctly.

O'Ryan had never seen this back curtain they had taken care that he should not and, standing in the wings awaiting his cue, he was unprepared for the laughter of the audience, first low and uncertain, then growing, then insistent, and now a peal of ungovernable mirth, as one by one they understood the significance of the stars of Orion on the back curtain.

No one had ever seen O'Ryan angry; and now that the demon of rage was on him, directed by a will suddenly grown to its full height, they saw not only a powerful character in a powerful melodrama, but a man of wild force.

Turnbull was looked upon as one of the rising young men in banking circles; he was also prominent socially, was a member of the Alibi, Metropolitan, and Country Clubs, and until recently was active in all forms of athletics, when his ill-health precluded active exercise. "Officer O'Ryan, who was greatly shocked by the fatal termination to Mr.

There was an outdoor scene in the play produced by the impetuous amateurs, and dialogue had been interpolated by three "imps of fame" at the suggestion of Constantine Jopp, one of the three, who bore malice towards O'Ryan, though this his colleagues did not know distinctly.