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He's been talking for years of writing a tragedy about St. Patrick, but he's not done it, and then I come along and do it quite easily and get the play accepted. And my novel's to be published, too. Of course he's jealous! Any disappointed man's jealous when he sees someone else doing things he's failed to do. I'm sorry for him really!"

The hero, the wonderful young Parisian, in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel's fantastic hero.

There have always been other things to do, and I must confess it is a mystery to me how men get time to read at all. If I do get time I'm generally done up, and a novel's the only thing I'm fit for." "Ah, then, you don't know the book craze," Bethel Said. "It's worse than drink. I've seen it absolutely ruin a man. You can't stop if you see a book you must get it, whether you really want it or no.

The novella has in fact been carried so far in the short story that it might be asked whether it had not left the novel behind, as to perfection of form; though one might not like to affirm this. Yet there have been but few modern fictions of the novel's dimensions which have the beauty of form many a novella embodies.

"'Mr. Lewis Lambert Strether'" she sounded it almost as freely as for any stranger. She repeated however that she liked it "particularly the Lewis Lambert. It's the name of a novel of Balzac's." "Oh I know that!" said Strether. "But the novel's an awfully bad one." "I know that too," Strether smiled.

Henry took the paper from Gilbert's hands. "But what have we got to do with it?" he said, hastily scanning the telegrams with which the news columns were filled. "I dunno!..." "It's ridiculous.... What's there to fight about? Damn it all, my novel's coming out in a month! What's it about?" "You remember that Archduke chap who got blown up the other day?..." "Yes, I remember!"

The novella has in fact been carried so far in the short story that it might be asked whether it had not left the novel behind, as to perfection of form; though one might not like to affirm this. Yet there have been but few modern fictions of the novel's dimensions which have the beauty of form many a novella embodies.

She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad," she added. "I never liked Miss Lavish. But I suppose one ought to read it as one's met her."

The hero, the wonderful young Parisian in whom the romantic and the scientific temperaments were so strangely blended, became to him a kind of prefiguring type of himself. And, indeed, the whole book seemed to him to contain the story of his own life, written before he had lived it. In one point he was more fortunate than the novel's fantastic hero.

To the French, especially to Flaubert and Maupassant, must be given the credit of so perfecting the novel's technique that it has become the great means of cosmopolitan culture. It was, however, reserved for the youngest of European literatures, for the Russian school, to raise the novel to being the absolute and triumphant expression by the national genius of the national soul.