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Updated: June 23, 2025


From left to right: Arab sheik on horse, negro slave, Egyptian on camel, Arab falconer, Indian prince, Buddhist priest or lama from Thibet, Mohammedan with crescent, negro slave, and Mongolian on horseback. Murals in arch by Edward Simmons, of New York.

Variations of this theme may be found in the murals under the arches, and in those under the Tower of Jewels near by. Other universal themes are treated in the Fountains of the Rising Sun and of the Setting Sun, and in The Elements at the edge of the sunken garden. The idea of achievement, of victory in conquering the universe, is also suggested in the triumphal arches. Architecture

On the walls of the half-dome are two formal paintings by Bancroft, conventional but charming in their allegory. These are Bancroft's best murals. In the first, Time crowns Art, while her handmaids, Painting, Pottery, Weaving, Glass-making, Metal-working and Jewel-making, stand in attendance. In the other, Man is taught the laws of Love, Life, and Death, Earth, Fire, and Water.

Sunburst standards modelled in imitation of snow crystal, and resembling monstrance used in Catholic church; two at south of court; only large light sources in court; contrast with other illumination. Two fairy lanterns in each arch around court. Brangwyn murals lighted without glare by indirect diffusion from four corners.

When we entered the arch we looked up at the magnificent ceiling used by McKim, Mead & White, in panels, with a pictorial design beautifully colored by Guerin. "The blue up there blends into the deeper blue of the Dodge murals just beneath. Those murals are in exactly the right tone. They give strength to the arch. But they are weakened by being in the midst of so much heavy architecture.

In these murals Du Mond has tried to reach as closely as he could to nature without being too literal and without sacrificing artistic effect. He has even introduced among his figures some well-known Californians, a Bret Harte, in the gown of the scholar, and William Keith, carrying a portfolio to suggest his painting."

The hall gave upon a ramp leading down, and Raf recognized this. His confidence arose. They were on their way out of the building. Here the murals were missing so that he could look about him for reference points. He was sure that the banquet hall was some ten stories above street level. But they did not go down ten ramps now.

In the other panel the background shows a group of ships, ranging from those of the earliest times to the modern liner. These two paintings are worthy of study for the historical and symbolic interest. Artistically they are notable chiefly for the remarkable freshness of coloring and rich mosaic effect. Both are by Edward Simmons. Murals in Arch of the Setting Sun, at the west side of the court.

Their subjects, however, are in harmony with the meaning of the tower. Guerin was right when he told the mural decorators that a good subject was an asset. By studying these murals you can get a glimpse of all the history associated with California and with the Panama Canal.

"In these colonnades Guerin has done some of his finest coloring. The blue and the red are in absolute harmony with Brangwyn's rich tones. They must have been applied to fit the canvases. But the marvel is that the murals should show up so magnificently. Brangwyn painted them in London and he must have had second sight to divine just the right scheme.

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