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The walls were hung with a set of William Nicolson's prints, strong, dark, distinct, slightly sinister in effect; a fine etching of Jean Francois Millet's Gleaners; and, in noticeable contrast to this last, a mezzotint of Romney's picture of Lady Hamilton spinning. Upon the book-table were a silver ash-tray and cigarette-box.

Stubbs's old mezzotint of Eclipse hangs over my desk, and Herring's portrait of Plenipotentiary, whom I saw run at Epsom, over my fireplace. Did I not elope from school to see Revenge, and Prospect, and Little John, and Peacemaker run over the race-course where now yon suburban village flourishes, in the year eighteen hundred and ever-so-few?

George Allen as a mezzotint engraver, Arthur Burgess as a draughtsman and wood-cutter, John Bunney as a painter of architectural detail, W. Jeffery as an artistic photographer, E. Cooke as a teacher, William Ward as a facsimile copyist, have all done work whose value deserves acknowledgment, all the more because it was not aimed at popular effect, but at the severe standard of the greater schools.

For twenty-five cents you can ride nearly a half-hour in Stuttgart in cars faultlessly conducted. Stuttgart, oddly enough, is a centre for all the engraving, etching, and mezzotint sales. I say, oddly, because the art museum contains the worst collection of alleged "old masters" I ever encountered off Fifth Avenue. Hardly an original in the whole lot, and then a third-rate specimen at that.

Over the dull white marble mantelpiece hung a huge mezzotint, of violent contrast in black and white, a picture whose subject had without doubt given it the place of honour in this old-fashioned, tasteless, homely, comfortable room. It bore for a title The Fall of Nineveh, and it was designed and mezzotinted by John Martin. Let us look at this picture.

Here is Dürer's work in flat colour, represented by the photograph in its smoky brown; Turner's, in washed sepia, and in mezzotint; Lionardo's, in pencil and in chalk; on the screen in front of you a large study in charcoal. In every one of these drawings, the material of shadow is absolutely opaque.

I have seen David, on the other hand, speechlessly miserable after buying a mezzotint, for the time being only, of course; the joy cometh in the morning, when Diana proves to him that it was the only thing to do, and that it was really quite wonderful, the way in which he was led to buy it. He had had no idea of doing so. Not the slightest! And yet something within him urged him to buy it.

Burns had a strange aversion to sit for his portrait, though often urgently requested to do so. But when at my father's studio, Burns at last consented, and his portrait was rapidly painted. It was done in the course of a few hours, and my father made a present of it to Mrs. Burns. A mezzotint engraving of it was afterwards published by William Walker, son-in-law of the famous Samuel Reynolds.

His recovery was not in this instance due to the calling on himself for the rescue of an ancient and glorious country; nor altogether to the spectacle of the shipping, over the parapet, to his right: the hundreds of masts rising out of the merchant river; London's unrivalled mezzotint and the City' rhetorician's inexhaustible argument: he gained it rather from the imperious demand of an animated and thirsty frame for novel impressions.

When young Copley was eleven years old his mother was married to Peter Pelham, a widower with three sons Peter, Charles, and William and who subsequently became the father of another son, Henry, by this second marriage. Mr. Pelham was a portrait painter and a mezzotint engraver of unusual merit. One authority calls him "the founder of those arts in New England." Mr.