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Updated: June 28, 2025


To live a simple pussy by her side Was nobler far than to be deified. To these and other tributes Moncrif adds idyls and romances of his own, while regretting that it never occurred to Theocritus to write a bergerie de chats. He tells stories of blameless pussies beloved by Fontanelle and La Fontaine, and quotes Marot in praise of "the green-eyed Venus."

Observe well the fashionable bard! Marot was a true poet, and in his day not merely read by queens and honoured by courtiers: observe him well; for the character is supported by our Vivian Grey. It was with great difficulty that Madame Carolina had found a character for her favourite, for the lists were all filled before his arrival at Reisenburg.

In D'Israeli's Curiosities of Literature, there is an amusing and instructive account of the Origin of Psalm-Singing. It appears that Psalms in verse were first written by that elegant French poet, Clement Marot, the favoured court bard of Francis I., who was termed by his un-envious brother poets, "the poet of princes."

It was found in a very dirty and disorderly condition, encumbered with benches, scaffoldings, stakes, gibbets, and all the machinery used for public executions upon the market-place. A vast body of men went to work with a will; scrubbing, cleaning, whitewashing, and removing all the foul lumber of the hall; singing in chorus, as they did so, the hymns of Clement Marot.

"I have longed for a listener who could understand and criticise, and who would be too honourable to flatter. I will trust you, as Marguerite of Valois trusted Clement Marot." Lord Mallow did not know anything about the French poet and his royal mistress, but he contrived to look as if he did.

Throughout the blood-stained soil of France, too, the men who were fighting the same great battle as were the Netherlanders against Philip II. and the Inquisition, the valiant cavaliers of Dauphiny and Provence, knelt on the ground, before the battle, smote their iron breasts with their mailed hands, uttered a Calvinistic prayer, sang a psalm of Marot, and then charged upon Guise, or upon Joyeuse, under the white plume of the Bearnese.

'So do many who ride o' night, Marot answered, with a chuckle. 'But we had best start, for the east is whitening, and it will be daylight ere we come to Bridgewater. Leaving the ill-omened farmhouse behind us we set off with all military precautions, Marot riding with me some distance in front, while two of the troopers covered the rear.

With Fifteen-ninety or Sixteen-sixteen We end Cervantes, Marot, Nashe or Green: Then Sixteen-thirteen till two score and nine, Is Crashaw's niche, that honey-lipped divine. And so when all my little work is done They'll say I came in Eighteen-seventy-one, And died in Dublin.... What year will they write For my poor passage to the stall of night?

It was found in a very dirty and disorderly condition, encumbered with benches, scaffoldings, stakes, gibbets, and all the machinery used for public executions upon the market-place. A vast body of men went to work with a will; scrubbing, cleaning, whitewashing, and removing all the foul lumber of the hall; singing in chorus, as they did so, the hymns of Clement Marot.

The pocket psalm-book of Gabriel Bernon, the builder of the old French Fort at Oxford, is one of Marot and Beza's Version, and is still preserved and owned by one of his descendants; other New England families of French lineage cherish as precious relics the French psalm-books of their Huguenot ancestors.

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