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The titles "-Maccus Miles-," "-Maccus Copo-," "-Maccus Virgo-," "-Maccus Exul-," "-Macci Gemini-" may furnish the good-humoured reader with some conception of the variety of entertainment in the Roman masquerade.

Incidentally she managed to hint that Servius Maccus, her devoted admirer, had told her that the night before Lucius Ahenobarbus and some of his friends had attacked and insulted a lady on her way back from a late dinner. A common diversion for "young men of spirit."

In these pieces it was always the standing figures of the stupid and the artful servant, the good old man, the wise man, that delighted the public; the first in particular might never be wanting the -Pulcinello- of this farce the gluttonous filthy -Maccus-, hideously ugly and yet eternally in love, always on the point of stumbling across his own path, set upon by all with jeers and with blows and eventually at the close the regular scapegoat.

Byrthtnoth ordered his men to march on till they all stood on the bank of the river. The flood flowed in after the ebb, and the hostile armies could not reach each other, and it seemed too long to wait for the water to let them meet. Wulfstan, by race a warrior bold, held the bridge for his chief, and Ælfhere and Maccus with him, the undaunted mighty twain.

Lastly, the masks used in after times for the standing characters of the Latin popular comedy or the Atellana, as it was called: Maccus the harlequin, Bucco the glutton, Pappus the good papa, and the wise Dossennus masks which have been cleverly and strikingly compared to the two servants, the -pantalon- and the -dottore-, in the Italian comedy of Pulcinello already belonged to the earliest Latin popular art.

The titles "-Maccus Miles-," "-Maccus Copo-," "-Maccus Virgo-," "-Maccus Exul-," "-Macci Gemini-" may furnish the good-humoured reader with some conception of the variety of entertainment in the Roman masquerade.

Wulfstan, Maccus, and Elfhere the three who had held the bridge again fought shoulder to shoulder at this place. Wulfstan was vanquished by Olaf, and his two companions fell to Kolbiorn's blade. The names of some of the other English warriors are Alfwine, a lord of the Mercians, Eseferth, Brihtwold, Edward the Long, Leofsuna, and Dunnere; all of whom fell in defending the body of Brihtnoth.

In these pieces it was always the standing figures of the stupid and the artful servant, the good old man, the wise man, that delighted the public; the first in particular might never be wanting the -Pulcinello- of this farce the gluttonous filthy -Maccus-, hideously ugly and yet eternally in love, always on the point of stumbling across his own path, set upon by all with jeers and with blows and eventually at the close the regular scapegoat.

From the few fragments that remain to us we should be inclined to form a different opinion, and to suspect that national partiality in contrasting them with the Graecized form of the Mimi kept itself blind to their more glaring faults. The characters that oftenest reappear in them are Maccus, Bucco, and Pappus; the first of these is prefixed to the special title, e.g. Maccus miles, Maccus virgo.

The three champions who had thus succeeded in keeping the bridge were named Wulfstan, Elfhere, and Maccus. Wulfstan was the man who had struck Kolbiorn Stallare, and he knew that the blow could not have killed him.