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At headquarters all likewise went well so briskly well in fact that under the urge for haste things essential were accomplished in less time by fewer craftsmen than had been the case since those primitive beginnings when Lobel's, then a struggling short-handed concern, frequently had doubled up its studio staffs for operative service in the makeshift laboratory.
Of those who had a hand in the last mortal rôle she would ever play only Lobel's private secretary, young Appel, who came to pay the bills and take over the private effects of this Sarah Glassman and after some fashion to play the rôles of next friend and chief mourner, kenned the truth.
Suppose we start on our little taxi ride, old groove thinker?" The real purpose of this is to tell about Mr. Lobel's attack of apoplexy. What comes before must necessarily be in its nature preliminary and preparatory, leading up to the climactic stroke which leaves the distinguished victim stretched upon the bed of affliction. First let us introduce our principal. Reader, meet Mr.
Lobel's head drooped forward as though an unseen hand pressed against the back of his neck. Quinlan casting his eyes downward traced with one toe the pattern of the rug under his feet. On top of one sudden blow, heavy and hard to bear, another now had followed.
Lobel's name and nearly one-third as tall as the name of the star and nearly one-half as tall as the name of the director and nearly if not quite as tall as the name of the camera man, and so get a lot of absolutely free advertising that would be worth thousands of dollars to him and start people all over the country to hearing about him? Certainly he was!
Aside from his consuming desire to turn out those surpassing achievements of the cellular-cinema art known as Lobel's Masterfilms, he has in life two great passions, one personal in its character, the other national in its scope the first a craving for fancy waistcoats, the second a yearning to see the name of Max Lobel in print as often as possible and in as large letters as likewise is possible; and for either of these is a plausible explanation.
Lobel's genius which guided the course of action, energizing and speeding it, neither could it be denied that circumstance and yet again circumstance and on top of that more circumstance matched in with hue and shade to give protective coloration to his plan.
Five pictures she had done for Lobel Masterfilms since placing herself under Lobel's management and a Lobel contract, all of them overpowering knock-outs, sensations, sure-fire hits. On the sixth she now was at work and her proud employer in conversation and in announcements to the trade stood sponsor for the pledge that in its filming Monte literally would out-Monte Monte.
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