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Updated: May 16, 2025
I shall be very loath To say your eyes are twinckling Starres agen, Your lipps twin cherries and out blush the rubie, Your azure veines vye beauty with the Saphire Or that your swelling breasts are hills of Ivory, Pillowes for Jove to rest his amorous head, When my owne Conscience tells me that Bunhill Is worth a hundred on 'em, and but Higate Compar'd with 'em is Paradice.
Lipps: Aesthetik, Bd. The analogy between the unity of the work of art and the unity of the organism is still the most accurate and illuminating. For, like the work of art, the body is a self-sufficient and distinctive whole, whose unified life depends upon the functioning of many members, which, for their part, are dead when cut away from it.
Mercy wilbe proud T'infold him gently in her Ivory armes, And, as she walkes along with him, each word He speakes sheele greedily catch at with a kisse From his soft lipps such as the amorous Fawnes Enforce on the light Satyrs. Let me dy Who, like the palme, when consious that tis void Of fruite and moysture, prostratly doe begg A Charitable headsman. Sir Hu.
This would appear to be, not so much a homosexual impulse, as the dynamic psychic action of an olfactory sexual symbol in a transformed form. We seem to have here a psychic process which is a curious reversal of that process of Einfühlung the projection of one's own activities into the object contemplated which Lipps has so fruitfully developed as the essence of every æsthetic condition.
The Lipps had newly arrived from Germany, and their selection adjoined ours. Jacob was their "eldest", about fourteen, and a fat, jabbering, jolly-faced youth he was. He often came to our place and followed Joe about. Joe never cared much for the company of anyone younger than himself, and therefore fiercely resented the indignity.
When we turn to the great neo-Kantian movement, we find alongside of discussions concerning psychological questions important ethical aspects presenting themselves. G. Simmel point in the same direction. Professors Husserl, Lipps, and Vaihinger, as their most recent important books show, work on lines which insist on bringing life as it is and as it ought to be into their systems.
A reaction from the over-estimation of the quality of consciousness becomes the indispensable preliminary condition for any correct insight into the behavior of the psychic. In the words of Lipps, the unconscious must be accepted as the general basis of the psychic life.
Must we, then, say that the finality of the tonic is a unique, inexplicable phenomenon? giving up the nature of melody as a problem if not insoluble, at least unsolved? The feeling of finality in the return to 2n is explained by Lipps and his followers, from the fact that the two-division is most natural, and so tones of 2n vibrations would have the character of rest and equilibrium.
I bless God that in the midst of these publick distractions I have still liberty to communicate; and may this sacrament be my damnation, if my heart do not joyn with my lipps in this protestation." Rush. v. 346. Connivance was an ambiguous and therefore an ill-chosen word. blood had already been shed in expiation of an imaginary plot.
Following the large idea introduced by Schopenhauer, which was enriched by the minuter studies of Lotze, Wundt, and Lipps, we may sum the foregoing analysis in the statement that music expresses the abstract aspects of action, its ease or difficulty, its advance or retrocession, its home coming or its wandering, its hesitation or its surety, its conflicts and its contrasts, its force or its weakness, its swiftness or slowness, its abruptness or smoothness, its excitement or repose, its success or failure, its seriousness or play.
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