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Updated: May 14, 2025
This explanation might hold if we were ever conscious of the two-division as such, in tones which we are not; so that it would seem to depend on the restful character of a perception which by hypothesis is never present to the mind at all.
Must we, then, say that the finality of the tonic is a unique, inexplicable phenomenon? giving up the nature of melody as a problem if not insoluble, at least unsolved? The feeling of finality in the return to 2n is explained by Lipps and his followers, from the fact that the two-division is most natural, and so tones of 2n vibrations would have the character of rest and equilibrium.
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