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Updated: June 10, 2025
Donna Elvira, his deserted wife, has pursued him to Seville, but he employs his servant Leporello to occupy her attention while he pays court to Zerlina, a peasant girl, who is about to marry an honest clodhopper named Masetto.
Come down; you'll wake the village with your caterwauling! But Leporello waves his broad archdeacon's hat, and resumes a flood of flexible Bregaglian.
"He is here with me, Your Excellency!" respectfully said Abercromby, who had already posted off his leporello to call in due form at the banker's mansion, where the disguised Alixe Delavigne had taken refuge. "Send him to me at once, General. I need him! I will give him the local staff rank of Major and immediate employment.
But you will be my Mercury my Leporello you will take of me a message to thees Mees Boston, that I am crushed, desolated, prostrate, and flabbergasted that I cannot arrive, for I have of that night to sit up with the grand-aunt of my brother-in-law, who has a quinsy to the death. It is sad." This was the first indication I had received of Miss Mannersley's advances.
Anticipating trouble, Leporello hastens to his master to warn him. Don Ottavio and his friends storm the door of the anteroom, out of which now comes Don Giovanni dragging Leporello and uttering threats of punishment against him. The trick does not succeed. Don Ottavio removes his mask and draws his sword; Donna Anna and Donna Elvira confront the villain.
He has a shrewd suspicion that the girl is peeping from behind the window curtain; and tells us, bending down from the ladder, in a hoarse stage-whisper, that we must have patience; 'these girls are kittle cattle, who take long to draw: but if your lungs last out, they're sure to show. And Leporello is right. Faint heart ne'er won fair lady.
Naturally, dear Julius, Don Juan, Zerlina, Leporello, Massetto, are the dramatis persona; Zerlina's answer in the theme has a sufficiently enamored character; the first variation expresses, a kind of coquettish coveteousness: the Spanish Grandee flirts amiably with the peasant girl in it.
Though he sang successfully in all styles of music and covered a great dramatic versatility, the parts in which he was peculiarly great were Leporello in "Don Giovanni"; the Podesta in "La Gazza Ladra"; Geronimo in "Il Matrimonio Segreto"; Caliban in Halévy's "Tempest"; Gritzonko in "L'Etoile du Nord"; Henry VIII in "Anna Bolena"; the Doge in "Marino Faliero"; Oroveso in "Norma"; and Assur in "Semiramide."
The ordinary tourist first sees the Vatican from the square as he approaches from the bridge of Sant' Angelo. But his attention is from the first drawn to the front of the church, and he but vaguely realizes that a lofty, unsymmetrical building rises on his right. He pauses, perhaps, and looks in that direction as he ascends the long, low steps of the basilica, and wonders in what part of the palace the Pope's apartments may be, while the itinerant vender of photographs shakes yards of poor little views out of their gaudy red bindings, very much as Leporello unrolls the list of Don Giovanni's conquests. If the picture peddler sees that the stranger glances at the Vatican, he forthwith points out the corner windows of the second story and informs his victim that 'Sua Santit
When I entered upon my last term, my Leporello list was long enough, and contained pictures from many different classes. But my hour, too, seemed on the point of striking, for when I went home in my last Christmas vacation I thought myself really in love with the charming daughter of the pleasant widow of a landed proprietor.
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