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Updated: May 15, 2025
The remaining years of Leonardo's life are more or less years of wandering. From his brilliant life at court he had saved nothing, and he returned to Florence a poor man. Perhaps necessity kept his spirit excited: the next four years are one prolonged rapture or ecstasy of invention.
During these years at Florence Leonardo's history is the history of his art; he himself is lost in the bright cloud of it. The outward history begins again in 1502, with a wild journey through central Italy, which he makes as the chief engineer of Caesar Borgia.
And these pupils of his acquired his manner so thoroughly, that though the number of Leonardo's authentic works is very small indeed, there is a multitude of other men's pictures through which we undoubtedly see him, and come very near to his genius.
It would be difficult to imagine anything at once so fleshy and so delicate in design; the taper, sensual fingers were like those of one of Leonardo's women; the fork of the thumb made a dimpled protuberance when closed; the nails were perfectly shaped, and of a dead, surprising whiteness.
Leonardo's varied talents were very useful to the Duke; he could assist him in everything by advice at his council, by plans for adorning his city, by music and poetry in his leisure hours, and by painting the portraits of his favorites. Some of these last are now famous pictures that of Lucrezia Crevelli is believed to be in the Louvre at Paris, where it is called "La Belle Ferronière."
I had reached the conclusion, it will be remembered, that the extra baggage of my friend, the artist, would prove to be pictures, or at least a picture; for I knew he had been for several weeks in conference with Nicolino; and now here was a box which, from its shape, could possibly contain nothing in the world but a copy of Leonardo's "Last Supper;" and a copy of this very "Last Supper," done by Rubini the younger at Florence, I had known, for some time, to be in the possession of Nicolino.
The capricious spirit of Ludovico was susceptible also of the charm of music, and Leonardo's nature had a kind of spell in it. Fascination is always the word descriptive of him. No portrait of his youth remains; but all tends to make us believe that up to this time some charm of voice and aspect, strong enough to balance the disadvantage of his birth, had played about him.
It had already been explained to them that at first it would be necessary to land them and offer them shelter at Don Leonardo's slave factory, until a mode of conveyance could be procured for them to reach Sierra Leone, so they were not surprised, but placing full confidence in Captain Ratlin, were satisfied.
This is possible to a Mendelssohn in the awful solitude of Beethoven's "Sonate Pathétique," to a painter in the presence of Leonardo's "Last Supper," and to a sculptor in the hushed halls of the Vatican. But that which lifts the true artist above externals, the externals of his own individual being, crushes the false, to whom the marble and the paint are in themselves the ultimate.
Michelangelo's work, which never reached the wall of the room, as Leonardo's had done, was completed as a cartoon in 1504 to 1506 in his studio in the hospital of the dyers in Sant' Onofrio, which is now the Via Guelfa.
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