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Updated: June 24, 2025
There is no better drawing in any of the other paterae. At best they equal, they certainly do not surpass, the Praenestine specimen. The intaglios of the Phoenicians are either on cylinders or on gems, and can rarely be distinguished, unless they are accompanied by an inscription, from the similar objects obtained in such abundance from Babylonia and Assyria.
Assyrian mimetic art consists of statues, bas-reliefs, metal-castings, carvings in ivory, statuettes in clay, enamellings on brick, and intaglios on stones and gems. Assyrian statues are comparatively rare, and, when they occur, are among the least satisfactory of this people's productions.
Eastern carpets and carved ivories, cameos and intaglios, precious gems and rare majolica from Urbino and Casteldurante were brought together in the Camerini of the Castello and the halls of the Schifanoia palace, that favourite Sans-Souci of the Este princes close to the court-church of S. Maria in Vado and to the convent of Leonora's friends, the nuns of S. Vito.
There are certain Poets' Rooms, frescoed with illustrations of Goethe, Schiller, and Wieland; there is the room where Goethe and the Grand-Duke used to play chess together; there is the conservatory opening from it where they liked to sit and chat; everywhere in the pictures and sculptures, the engraving and intaglios, are the witnesses of the tastes they shared, the love they both had for Italy, and for beautiful Italian things.
Among them were several precious jewels and antique intaglios and cameos of great value, the spoils doubtless of travellers of distinction. I found that they were in the habit of selling their booty in the frontier towns. As these in general were thinly and poorly peopled, and little frequented by travellers, they could offer no market for such valuable articles of taste and luxury.
They went through the rotunda and into the rooms together; and Mrs. Murray busied herself in carefully removing the cameos, intaglios, antique vases, goblets, etc., etc., from the tables, and placing them in the drawers of the cabinets. As she crossed the room tears fell on the costly trifles, and finally she approached the beautiful miniature temple and stooped to look at the fastening.
In his lodging at Florence he handled once again his treasures his books from Ficino's press; his manuscripts, some from Byzantium yellow with age, some on clean white vellum new copied by his order; his busts and gems and intaglios. What had become of that fervour with which he had been used to gaze on them?
He devoted the last four years of his life in classifying and arranging his Museum, which is distributed in twenty-four rooms, and consists of architectural models of ancient and modern edifices; a large collection of architectural drawings, designs, plans, and measurements, by many great architects; a library of the best works on art, particularly on Architecture; antique fragments of buildings, as columns, capitals, ornaments, and friezes in marble; also, models, casts, and copies of similar objects in other collections; fragments and relics of architecture in the middle ages; modern sculptures, especially by the best British sculptors; Greek and Roman antiquities, consisting of fragments of Greek and Roman sculpture antique busts, bronzes, and cinerary urns; Etruscan vases; Egyptian antiquities; busts of remarkable persons; a collection of 138 antique gems, cameos and intaglios, originally in the collection of M. Capece Latro, Archbishop of Tarentum, and 136 antique gems, principally from the Braschi collection; a complete set of Napoleon medals, selected by the Baron Denon for the Empress Josephine, and formerly in her possession, curiosities; rare books and illuminated manuscripts; a collection of about fifty oil paintings, many of them of great value, among which are the Rake's Progress, a series of eight pictures by Hogarth, and the Election, a series of four, by the same artist; and many articles of virtu too numerous to mention here, forming altogether a most rare, unique, and valuable collection.
Meanwhile few of the larger jewelry houses had in their employ lapidaries more skilled than Mrs. Dalliba. She pursued her studies for the mere love of the science, devoting a year in Italy to mosaics, cameos, and intaglios. And yet the Crèvecoeur cameo had puzzled wiser heads than Mrs. Dalliba's, adept though she was.
She also inserted in a coat of arms a double-headed eagle in silver filigree; eleven peach stones on each side, one set representing eleven apostles with an article of the creed underneath, the other set eleven virgins with the name of a saint and her special attribute on each. Some of these intaglios are still in a private collection in Bologna.
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