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He established a series of subscription concerts at the Hanover Square rooms, and produced symphonies of Mozart and Haydn. In fact, he was connected with almost every celebrity who appeared in England for many years. He was instrumental in bringing Haydn to England, and toward the end of his career he was actively interested in the foundation of the Philharmonic Society.
In the case of the older quartets, Haydn, Mozart, etc., even if they are not played well, the performers can still obtain an idea of the music, of its thought content. But in the modern quartets, unless each individual player has mastered every technical difficulty, the musical idea does not pierce through, there is no effect. "I remember when we rehearsed the first Schönberg quartet.
"The battle has commenced!" exclaimed Joseph Haydn, rising from his easy-chair, and lifting his hand to heaven. "The battle has commenced! Good and great God in heaven, protect our fatherland, and grant Austria a glorious victory over her arrogant foe! Do not allow Austria and Germany to succumb; help us to defeat the proud enemy who has humiliated and oppressed us so long!
When Haydn went to England, about a year after the lessons began, Beethoven studied with several of the best musicians of the city, both in playing and composition. Albrechtsberger, one of these, was a famous contrapuntist of his time, and the student gained much from his teaching. The young musician was irresistible when he seated himself at the piano to extemporize.
Music, of course from Frohberger and Haydn to Mendelssohn, Wagner, Raff, and Debussy abounds in examples of natural imagery. In claiming a certain excellence for his method one need scarcely imply that MacDowell has ever threatened the supremacy of such things as the "Rheingold" prelude or the "Walküre" fire music.
O Lord my God, shield the honor of Germany and Austria! Protect the emperor!" And Joseph Haydn walked through the room with the vigor and alacrity of a youth, dropped his hands on the keys of the piano, and began to play in full concords the melody of his imperial hymn, "Gott erhalte Franz den Kaiser!"
And the orchestra played a ringing flourish, and the cheers of the audience rent the air again and again. Joseph Haydn, quite overcome, his eyes filled with tears, leaned his head against the back of his chair. A mortal pallor overspread his cheeks, and his hands trembled as though he had the fever.
To Haydn he submitted many of his compositions before publication; delighting often to call him his master and model in quartet writing, which he now began to cultivate in earnest; and omitting no circumstance which could gratify the veteran musician in possessing such an admirer. Haydn on his part repaid all this devotion with becoming generosity.
"Ah, what a fragile shell our body is, a miserable dwelling for the soul living in it! Come, my friend, let us softly leave the room. Only I would like to take a souvenir with me, a flower from the bouquet which Haydn held in his hands. May I venture to take one?" At this moment Haydn opened his eyes again, and fixed them with a gentle expression on Iffland.
Joseph Haydn was the eldest of the twenty children of Matthias Haydn, a wheelwright at Rohrau, Lower Austria, where he was born in 1732. At the age of twelve years he was engaged to sing in Vienna. He became a chorister in St.
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