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Updated: June 7, 2025
Somerville, or a singer, like Grisi, let not the technical rules of womanhood be thrown in the way of her free use of her powers. Still, per contra, there has been a great deal of crude, disagreeable talk in these conventions, and too great tendency of the age to make the education of woman anti-domestic.
I thought Rachel's "Marie Stuart" upon the whole her finest performance, though "Adrienne" ran it hard. Persiani, I note, supported by Lablache and Rubini, had a most triumphant reception in Inez de Castro, while Albertazzi was very coldly received in Blanche de Castille. Grisi in Norma was "superb." "Persiani and P. Garcia sang a duet from Tancredi; it was divine!
"Yes, Sir," he went on, "I have seen and heard them all, Catalani, Pasta, Pezzaroni, Grisi, and all the rest of them, even Sonntag, though not in her very best estate; but I give you my word there is none that has taken lodgings here," tapping his forehead, "so permanently as the Signorina G , or that I can see and hear so distinctly, when I am in the mood of it, by myself.
Grisi was measured against the greatest lyric tragedienne of the age, the critics, keen to probe the weak spot of new aspirants, found points of favorable comparison in Grisi's favor. During this year, 1832, both Giuditta and Giulia Grisi retired from the stage, the former to marry an Italian gentleman of wealth, and the latter to devote a period to rest and study.
It is a wonder that in these days of refined civilization, when Jenny Lind, Grisi, Patti, and other celebrated European singers, some of them from very warm climates, are transported to America to delight our Upper-Tendom, that there should be no persistent and successful effort to introduce the English lark into our out-door orchestra of singing-birds.
Then Monsieur Gravier, in the course of a tour, had persuaded Mademoiselle Mars to write her name on this album, with Mademoiselles Georges, Taglioni, and Grisi, and some distinguished actors, such as Frederick Lemaitre, Monrose, Bouffe, Rubini, Lablache, Nourrit, and Arnal; for he knew a set of old fellows brought up in the seraglio, as they phrased it, who did him this favor.
There was a good deal of character in his methodical manner. M. de Rambuteau was there. It was said that on the last day of the year M. de Rambuteau wrote on his card: "M. de Rambuteau et Venus," or as a variation: "M. de Rambuteau, Venus en personne." Wednesday, February 24, the Duke de Nemours gave a concert at the Tuileries. The singers were Mlle. Grisi, Mme. Persiani, a Mme.
And we, a little envious of those who did once see Grisi plain, always shall find solace in this pretty picture of her; holding it to be, for all the artificiality of its convention, as much more real as it is prettier than the stringent ballet-girls of Degas. What monster have we here? Who is he that sprawls thus, ventrirotund, against the huge oozing wine-skin?
Her conception of the character, however, was in the grandest style of histrionic art. "The sibyls of Michael Angelo are not more grand," exclaimed one critic; "but the vocalization of Pasta and Grisi is wholly foreign to her." During this engagement, Mme. Schröder-Devrient was often unable to perform, from serious illness. From England she went to the Lower Rhine.
. . . On Saturday I went with Sir William and Lady Molesworth to their box in the new Covent Garden opera, which has been opened for the first time this week. There I saw Grisi and Alboni and Tamburini in the "Semiramide." It was a new world of delight to me. Grisi, so statuesque and so graceful, delights the eye, the ear, and the soul.
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