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The Crucifixion, with its agonising deity and prostrate groups of women, sunk below the grief of tears; the Temptation in the wilderness, with its passionate contrast of the grey-robed Man of Sorrows and the ruby-winged, voluptuous fiend; the Temptation of Adam in Eden, a glowing allegory of the fascination of the spirit by the flesh; Paradise, a tempest of souls, whirled like Lucretian atoms or gold dust in sunbeams by the celestial forces that perform the movement of the spheres; the Destruction of the world, where all the fountains and rivers and lakes and seas of earth have formed one cataract, that thunders with cities and nations on its rapids down a bottomless gulf; while all the winds and hurricanes of the air have grown into one blast, that carries men like dead leaves up to judgment; the Plague of the fiery serpents, with multitudes encoiled and writhing on a burning waste of sand; the Massacre of the Innocents, with its spilth of blood on slippery pavements of porphyry and serpentine; the Delivery of the tables of the law to Moses amid clouds on Sinai, a white ascetic, lightning-smitten man emerging in the glory of apparent godhead; the anguish of the Magdalen above her martyred God; the solemn silence of Christ before the throne of Pilate; the rushing of the wings of Seraphim, and the clangour of the trumpet that awakes the dead; these are the soul-stirring themes that Tintoretto handles with the ease of mastery.

The Petun sorcerers or medicine-men dreaded the influence of the grey-robed friar, regarded him as a rival, and caused his teachings to be derided. After an uncomfortable month Champlain and Le Caron returned to Carhagouha, where they remained until the 20th of May, and then set out for Quebec. When Le Caron reached Quebec on the 11th of July he found that his comrades had not been idle.

He reached the magician’s shoulders, and shooting yet higher threw back his head. Curling Smoke, looking upon him, saw to his amazement the face of Prince Ember; a giant now in size, and grey-robed, but still Prince Ember.

What was his astonishment to see two figures standing before itone of them the grey-robed Shadow Witch, whom he knew well, the other a stranger, and clad in those ruddy garments by which Black Shadow had declared he might recognize Prince Ember.

Ever since St. Francis of Assisi appeared in Italy, barefooted monks and grey-robed nuns, who follow him, Franciscans and Sisters of St. Clare stream hither as water flows into a mill-race when the sluice-gates are opened.

The monks of Samminiato near Florence employed him in 1388 to paint their newly-finished sacristy with the legend of S. Benedict. In the execution of this task Spinello displayed his usual grandeur and vigour, treating the grey-robed brethren of Monte Cassino like veritable champions of a militant Church.

And then a grey-robed and grey-veiled figure came right across the flashing guns, and stooped over some one, whose life-blood was ebbing away; sometimes it was to give him drink from cans which they carried slung at their sides, sometimes I saw the cross held above a dying man, and rapid prayers were being uttered, unheard by men in that hellish din and clangour, but listened to by One above.

Ever since St. Francis of Assisi appeared in Italy, barefooted monks and grey-robed nuns, who follow him, Franciscans and Sisters of St. Clare stream hither as water flows into a mill-race when the sluice-gates are opened.

Ever since St. Francis of Assisi appeared in Italy, barefooted monks and grey-robed nuns, who follow him, Franciscans and Sisters of St. Clare stream hither as water flows into a mill-race when the sluice-gates are opened.

A cemetery cross in the museum, the name "Paradise" that keeps up the remembrance of the cool, verdant cloister-garth, a brick arch upon the east bank of the Nar, and a similar gateway in "Austin" Street are all the relics that remain of the old monastic life, save the slender hexagonal "Old Tower," the graceful lantern of the convent of the grey-robed Franciscans.