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Any man who can carry it empty can carry it full." "Because no one can carry it at all," concluded the good-natured Geni, softly to himself. Pei-Hang folded his arms, and sat still, and thought, and thought, and took no notice of their gibes and sneers.

Smart, if you keep on buying roses and violets and orchids for me." So the roses were mine also! I shot a swift glance at the mantelpiece, irresistibly moved by some mysterious force. There were two bowls of orchids there. I couldn't help thinking of the meddling, over-zealous geni that served the hero of Anstey's "Brass Bottle" tale. He was being outdone by my efficacious secretary.

But in instinct the sensation no longer remains unfelt; perception is necessary, consciousness plays a part. And this consciousness is a vastly more subtle element, differing as much apparently from the vibration of brain, or nervous, molecules as the Geni from the rubbing of Aladdin's lamp, to borrow an illustration.

Swinburne hopes that one day the last unbelieving clergyman will disappear in the embrace of the last immaculate Magdalen, as the Princess and the Geni burn each other to nothingness, in the Arabian Nights. On that happy day there will be one less of the roads leading to failure.

Among other of the outbreakings alluded to that not a little vexed me, was one that I will relate, and just in order here to show the animus of men's minds towards me. We had in the town a clever lad, with a geni of a mechanical turn, who made punch-bowls of leather, and legs for cripples of the same commodity, that were lighter and easier to wear than either legs of cork or timber.

It is the season to wound and to garner; the red of the fields is as the wounds of the slain. "The geni grows old, his beard and hair are white as lamb's wool. White oxen drew great tanks on wheels into the vineyards. The grapes are gathered and trampled into wine. The trees and vines look sad. The rugs are faded and worn. It is the season of death; the sleep before the resurrection.

"When the time of the singing of the birds is come and the locust and the cherry bloom, then he spreads the rugs and carpets of promise and of gold, embossed with yellow tulips and bordered with royal purple, Parma violets. "When nature is voluptuously mature the geni spreads his rugs and carpets of poppies.

"On either side of the whole way are long rows of mulberry trees for silk culture, and vineyards for red wine, and between the grass grows rank and green. "But three times yearly the geni of the garden comes forth, on moist, moony nights, and changes the rugs of green in the aisles of the vineyards and the groves and the carpets of the fields.

At last a light came into his eyes; and he jumped up and asked the friendly Geni if he would make a little heap of stones at one side of the mortar. "I want to be able to look inside it, and I am not tall enough," said he. "And why don't you do it yourself?" asked the Geni. "Because I must go down to the Lake of Gems and collect precious stones," replied Pei-Hang.

Ne-kil-stlas is their great creative geni, who, by transforming himself into men, women, children, beasts, birds and fishes, or whatever thing is best suited to accomplish his designs, performs the most miraculous deeds. Ne-kil-stlas is known also as Kill-sing-ne-kee-uns, Goya-ta-get-ya, Goy-kilt, Guoy-ne, kill-gee-sklass, Hoya, and by other names, according to the shape which he assumes.