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Updated: June 23, 2025
You may as well note at once of this kind of bearing, called 'gagliarda' by Villani, that these groups of piles, pales, bends, and bars, were called in English heraldry 'Restrial bearings, "in respect of their strength and solid substance, which is able to abide the stresse and force of any triall they shall be put unto."
Experience soon convinced them that the first noise as of one sitting down never occurred unless the Gagliarda of the "Areopagita" was played, and that this noise being once heard, the second only followed it when they ceased playing for the evening.
But I was so alarmed at the possibility of any evil consequences ensuing, that when we commenced the Gagliarda I could scarcely find my notes. Nothing in any way unusual, however, occurred; and being reassured by this, and feeling an irresistible charm in the music, I finished the suite with more appearance of ease.
Unfortunately, she had been prematurely driven from her post of observation; but she had seen the Emperor come in, and Barbara, without noticing his altered expression, or rather, probably, to cheer him by something especially merry, gaily began Baldassare Donati's superb dancing-master's song, "Qui la gagliarda vuol imparare," at the same time in the merriest, most graceful manner imitating the movements of the gagliarda dancer.
In imagination she again heard his outburst of anger, again saw him rise from his seat in wrath at the innocent "Chi la gagliarda vuol imparare." The time of reckoning had come, and he should pay her for the bitterness of that hour!
Unfortunately, she had been prematurely driven from her post of observation; but she had seen the Emperor come in, and Barbara, without noticing his altered expression, or rather, probably, to cheer him by something especially merry, gaily began Baldassare Donati's superb dancing-master's song, "Qui la gagliarda vuol imparare," at the same time in the merriest, most graceful manner imitating the movements of the gagliarda dancer.
These thoughts darted in wild confusion in a few moments through her burning brain, and while Maurice swung her around it seemed as if the music reached her through the roar and thunder of breakers. The words "Chi la gagliarda vuol imparare" constantly echoed in her ears, mocking, reckless, urging her to retaliation.
Constance took my hand in hers and we moved together slowly down the passage. The wind had risen, and though there was a bright moon, her beams were constantly eclipsed by driving clouds. Still there was light enough to guide us, and I extinguished the candle. As we reached the end of the passage the air of the Gagliarda grew more and more distinct.
Suppose that all our theories of vibration and affinity are wrong, suppose that there really comes here night by night some strange visitant to hear us, some poor creature whose heart is bound up in that tune; would it not be unkind to send him away without the hearing of that piece which he seems most to relish? Let us not be ill-mannered, but humour his whim; let us play the Gagliarda."
It was as if the violin had become suddenly endowed with life, and was singing to us in a mystical language more deep and awful than any human words. Constance was comparatively unused to the figuring of the basso continuo, and found some trouble in reading it accurately, especially in manuscript; but she was able to mask any difficulty she may have had until she came to the Gagliarda.
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