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Updated: June 7, 2025
Tedda Gabler was a new "trade," with a reputation for vice which was really the result of bad driving. She had one working gait, which she could hold till further notice; a Roman nose; a large, prominent eye; a shaving-brush of a tail; and an irritable temper. She took her salt through her bridle; but the others trotted up nuzzling and wickering for theirs, till we emptied it on the clean rocks.
It was a broiling hot day, and we could not find the horses anywhere till we let Tedda Gabler, the bobtailed mare who throws up the dirt with her big hooves exactly as a tedder throws hay, have her head. Clever as she is, she tipped the coupe over in a hidden brook before she came out on a ledge of rock where all the horses had gathered, and were switching flies.
The spectators would stop to ask themselves how he happened to have the weapon by him without their knowing it; and this self-muttered question would deaden the effect of the scene. The dénouement of Ibsen's Hedda Gabler requires that the two chief characters, Eilert Lövborg and Hedda Tesman, should die of pistol wounds.
Tedda Gabler was a new "trade,"with a reputation for vice which was really the result of bad driving. She had one working gait, which she could hold till further notice; a Roman nose; a large, prominent eye; a shaving-brush of a tail; and an irritable temper. She took her salt through her bridle; but the others trotted up nuzzling and wickering for theirs, till we emptied it on the clean rocks.
So it is that the ambitious leading lady, abandoning the Camille and the Pauline of a generation or two ago, yearns now to show what she can do as Nora and as Hedda Gabler, unable to resist the temptation to try her luck also in impersonating these women of the North, essentially feminine even when they are fatally enigmatic.
What I principally wanted to do was to depict human beings, human emotions and human destinies, upon a groundwork of certain of the social conditions and principles of the present day." It was a proof of the immense growth of Ibsen's celebrity that editions of Hedda Gabler were called for almost simultaneously, in the winter of 1890, in London, New York, St.
We have seen people who were like Hedda Gabler; we have been people who were like Hamlet. The drama of facts stimulates us like our daily intercourse with the environing world; the drama of ideas stimulates us like our mystic midnight hours of solitary musing.
The sheer symbolism of the poet-philosopher is powerfully suggestive, and these later plays have an interest of their own, no doubt; but it is in the earlier social dramas that Ibsen most clearly reveals his dramaturgic genius, in the 'Pillars of Society, and the 'Doll's House, in 'Ghosts' and in 'Hedda Gabler. Dennery might envy the ingenuity with which Consul Bernick is tempted to insist on the fatal order that seems for a season to be the death-sentence of his own son; and Sardou would appreciate the irony of Nora's frantic dance at the very moment when she was tortured by deadly fear.
Here is another one, which begins as beautifully as Hedda Gabler could desire, and ends in blankness. The fact is, of course, that inspiration is no guarantee of perfection. The limitations of inspiration vary with the limitations of the writer a proposition that may be commended to the theologians. Genius can no more safeguard a man against his own ignorance than it can find a rhyme to "silver."
As in the case of Hedda Gabler, it is her social conscience that keeps her from throwing her bonnet over the moon, not her sense of moral values; in a word, virtue by snobbish compulsion. One thinks of Dante Gabriel Rossetti and the searing irony of his sonnet, Vain Virtues. The virtue of Mildred Lawson is vanity of vanities and the abomination of desolation.
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