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Updated: June 4, 2025
The American, was apostrophizing the bird of freedom with the floridity of rhetoric that reached its climax in the "Pogram Defiance." What the Dutchies and Frenchies were doing was little more to an Englishman than to an American. Continental Europe was a mystery to English-speaking people.
A steamboat station, used almost wholly by visitors, is here, and then a canal, and then the fourteenth-century abbey of S. Gregorio, whose cloisters now form an antiquity store and whose severe and simple apse is such a rebuke to Longhena's Renaissance floridity. Next is a delightful little house with one of the old cup-chimneys, forming one of the most desirable residences in Venice.
"No doubt you've been very good to Miss Melville." Mr. Mactavish James had been amazed by the grim construction of the speech, the lack of any response matching his "crack" in floridity. He had expected comment on his generosity. Positive resentment had stolen into his face as Yaverland had turned his back on him and rushed up the wet streets to rescue Ellen from the world.
They deplored the making of vocal ornaments and the display of ingenuity in the interweaving of parts for their own sakes, just as Wagner decried the writing of tune for tune's sake, and on one of the same grounds, namely, that nothing could result but a tickling of the ear. Yet these young reformers had no intention of throwing overboard all the charms of floridity in song.
We are told that despite the fine professions of the Florentines, Mme. Archilei was permitted to embroider Peri's Euridice in something like this fashion. But we must admit that even in those days a prima donna had power, and that something had to be conceded to popular taste. Furthermore, we shall see that the Florentines did not purpose to abolish floridity entirely.
But, some one will argue, with the passing of bel canto what will become of the operas of Mozart, Bellini, Rossini, and Donizetti? Who will sing them? Fear not, lover of the golden age of song, bel canto is not passing as swiftly as that. Singers will continue to be born into this world who are able to cope with the floridity of this music, for they are born, not made. Amelita Galli-Curci will have her successors, just as Adelina Patti had hers. Singers of this kind begin to sing naturally in their infancy and they continue to sing, just sing.... One touch of drama or emotion and their voices disappear. Remember Nellie Melba's sad experience with Siegfried. The great Mario had scarcely studied singing (one authority says that he had taken a few lessons of Meyerbeer!) when he made his début in Robert, le Diable and there is no evidence that he studied very much afterwards. Melba, herself, spent less than a year with Mme. Marchesi in preparation for her opera career. Mme. Galli-Curci asserts that she has had very little to do with professors and I do not think Mme. Tetrazzini passed her youth in mastering vocalizzi. As a matter of fact she studied singing only six months. Adelina Patti told Dr. Hanslick that she had sung Una voce poco f
The natural expression of his handsome countenance was an easy, dignified smile, which was rendered extremely fascinating by a broad, noble forehead, and a clear, expressive, gray eye; but now the floridity had given place to a pale, almost sallow hue, the forehead was wrinkled with grief, the lips were compressed, and the smile had been succeeded by a look of great fierceness, aided by the eye; which was more than usually sunken and bloodshot.
The odd thing is that with these two domes to teach him better the designer of the Chapel of the Princes should have indulged in such floridity.
Here are two examples of their treatment of passionate utterance in recitative. The first is by Peri and the second by Caccini. Both are settings of the same text in the "Euridice." Caccini was somewhat more liberal than Peri in the use of floridity and always showed taste and judgement therein.
The American, was apostrophizing the bird of freedom with the floridity of rhetoric that reached its climax in the "Pogram Defiance." What the Dutchies and Frenchies were doing was little more to an Englishman than to an American. Continental Europe was a mystery to English-speaking people.
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