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Updated: June 7, 2025


The same custom they observed likewise in their Tragedies. "As for the French. Though they have the word humeur among them: yet they have small use of it in their Comedies or Farces: they being but ill imitations of the ridiculum or that which stirred up laughter in the Old Comedy. But among the English, 'tis otherwise.

This, however, can only mean that it represents him as Hogarth had last seen him. But long before he died, disease had greatly altered his appearance; and he must have been little more than the shadow of the handsome Harry Fielding, who wrote farces for Mrs. Clive, and heard the chimes at midnight.

He knew that life had to be taken up again, and that in all its farces he must play his part. At first the thought of Mostyn Hall presented itself as an asylum. It stood amid thick woods, and there were miles of wind-blown wolds and hills around it. He was lord and master there, no one could intrude upon his sorrow; he could nurse it in those lonely rooms to his heart's content.

Lastly in the late fifteenth and early sixteenth centuries came the representation of what were called "Interludes," for the most part short farces of a very primitive order probably the offspring of the aforesaid passages of buffoonery.

Talking of a very penurious gentleman of our acquaintance, he observed, that he exceeded L'Avare in the play. I concurred with him, and remarked that he would do well, if introduced in one of Foote's farces; that the best way to get it done, would be to bring Foote to be entertained at his house for a week, and then it would be facit indignatio. JOHNSON. 'Sir, I wish he had him.

What could be more touching? Thus he was preparing himself for public life to which he was to be called later on. It is no easy matter to become an accomplished gentleman. Lord David Dirry-Moir was passionately fond of open-air exhibitions, of shows, of circuses with wild beasts, of the caravans of mountebanks, of clowns, tumblers, merrymen, open-air farces, and the wonders of a fair.

No unfavorable opinion can be formed as to the culture of a nation, whose weavers, smiths, gardeners, and traders, found the favorite amusement of their holidays in composing and enacting tragedies or farces, reciting their own verses, or in personifying moral and esthetic sentiments by ingeniously-arranged groups, or gorgeous habiliments.

Romances, adventures, tragedies, and farces ... why, we are the characters of those plots. Every child who runs past the house starts a new story, every old man whom we leave sleeping in the burying-ground by the Necronsett River is the ending of another ... or perhaps the beginning of a sequel.

Although I confine myself to a single domain of poetry, still the mass of materials comprehended within it is too extensive to be taken in by the eye at once, and this would be the case were I even to limit myself to one of its subordinate departments. We might read ourselves to death with farces.

Great progress toward naturalness in contemporary acting has been occasioned by the disappearance of the soliloquy and the aside. The relinquishment of these two time-honored expedients has been accomplished only in most recent times. Sir Arthur Pinero's early farces abounded with asides and even lengthy soliloquies; but his later plays are made entirely without them.

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