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Updated: June 2, 2025


This act of Robespierre led to one good result: the terrified grocers let politics alone until 1830. Descoings's shop was not a hundred yards from Robespierre's lodging. His successor was scarcely more fortunate than himself.

"If he understands painting at thirteen, my dear," she said, "your Joseph will be a man of genius." "Yes; and see what genius did for his father, killed him with overwork at forty!" At the close of autumn, just as Joseph was entering his fourteenth year, Agathe, contrary to Madame Descoings's entreaties, went to see Chaudet, and requested that he would cease to debauch her son.

"Ah! how is she, the poor, dear woman?" "She is pretty well," answered the painter, "I have just repainted our father's portrait, and aunt Descoings's. I have also painted my own, and I should like to give our mother yours, in the uniform of the dragoons of the Imperial Guard." "Very good." "You will have to come and sit." "I'm obliged to be in this hen-coop from nine o'clock till five."

"Well, if she is dying of a lost trey, it isn't I who have killed her," said the drunkard. "Go, go!" said Agathe. "You fill me with horror; you have every vice. My God! is this my son?" A hollow rattle sounded in Madame Descoings's throat, increasing Agathe's anger. "I love you still, my mother, you who are the cause of all my misfortunes," said Philippe.

Later on, Philippe and Joseph could extract from her pocket, with the utmost facility, small sums of money, which the younger used for pencils, paper, charcoal and prints, the elder to buy tennis-shoes, marbles, twine, and pocket-knives. Madame Descoings's passion forced her to be content with fifty francs a month for her domestic expenses, so as to gamble with the rest.

By the glimmer of the street lamp and the lights of the cafe de la Rotonde, Joseph examined these tickets to see if, by chance, any of them bore the Descoings's numbers. He found none, and returned home grieved at having done his best in vain for the old woman, to whom he related his ill-luck. Agathe and her aunt went together to the midnight mass at Saint-Germain-des-Pres. Joseph went to bed.

Quite incapable of understanding Roguin when he explained to her that in seven years Madame Descoings's assignment would replace the money she had sold out of the Funds, she persisted in trusting neither the notary nor her aunt, nor even the government; she believed in nothing but herself and the privations she was practising.

Joseph made ready for a struggle which, from the day when he first exhibited in the Salon, has never ceased. It was a terrible year. Roguin, the notary of Madame Descoings and Madame Bridau, absconded with the moneys held back for seven years from Madame Descoings's annuity, which by that time were producing two thousand francs a year.

"Well, if she is dying of a lost trey, it isn't I who have killed her," said the drunkard. "Go, go!" said Agathe. "You fill me with horror; you have every vice. My God! is this my son?" A hollow rattle sounded in Madame Descoings's throat, increasing Agathe's anger. "I love you still, my mother, you who are the cause of all my misfortunes," said Philippe.

This noble painting has been called a plagiarism of other pictures, while in fact it was a splendid arrangement of three portraits. Michel Chrestien, one of his companions at the Cenacle, lent his republican head for the senator, to which Joseph added a few mature tints, just as he exaggerated the expression of Madame Descoings's features.

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