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And so suddenly you seemed to make up your mind, too. You never hinted to me that afternoon that you were anxious to see Norway under the personal conductorship of Lord Earlscourt." "It would have been impossible for me to give you such a hint," said he. "I had no idea myself that I wanted greatly to go to Norway, until I met Earlscourt."

But Lamoureux was not long before he returned to the conductorship of the concerts, which had now returned to the Château-d'Eau theatre; and a few months before his death, in 1899, he conducted the first performance of Tristan at the Nouveau theatre. And so he had the happiness of being present at the complete triumph of the cause for which he had fought so stubbornly for nearly twenty years.

As in Magdeburg, at least in those days, the art of theatrical criticism was but slightly developed, this universal satisfaction was a great encouragement, and at the end of the first three months of my Magdeburg conductorship I felt sustained by the flattering and comforting assurance that I was one of the bigwigs of opera.

With all his ability, tact, and nerve, it must, however, be admitted that his style of conducting was rough and ready compared with the art, care, and skill that mark musical conductorship of the present day. With Richter's appearance as conductor, some important changes and reforms were effected in the orchestral arrangements of the Festival. For one thing, the band was cut down in number.

During the previous winter they had both attended the performance of a symphony of Beethoven under my conductorship, and knowing what a sensation this performance had aroused in Zurich, they thought it would be desirable to include me in their circle of friends.

Dim my impression of having been admitted or rather, I suppose, conducted, though under conductorship now vague to me to view it by colourless day, when it must have worn the stamp of an auction-room quite void of the "lots."

He then studied with the Abbé Vogler, and in his eighteenth year was engaged for the conductorship of the Breslau opera. About this time appeared his first important opera, "Rubezahl." At the conclusion of his studies with Vogler he was made director of the Opera at Prague. In 1814 he wrote a cantata, "The Lyre and Sword," for a festive occasion, and it was greeted with the wildest enthusiasm.

When he himself was conducting concerts all over Europe he entrusted the conductorship at the Châtelet to the great German Kapellmeister and to foreign composers to Richard Strauss, Grieg, Tschaikowsky, Hans Richter, Hermann Levi, Mottl, Nikisch, Mengelberg, Siegfried Wagner, and many others.

Liszt wrote announcing an early production in Weimar of my Tannhauser under his own conductorship the first that had taken place outside Dresden and he added with great modesty that this was merely a fulfilment of his own personal desire. In order to ensure success he had sent a special invitation to Tichatschek to be his guest for the two first performances.

In September he returned to Leipsic; he was then more cheerful, and able to talk about music and to write, although he could not resume the conductorship of the Gewandhaus concerts. He again had projects in view. Jenny Lind was to sing in his "Elijah," at Vienna, whither he would go and conduct, and he was about to publish some new songs.