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Updated: June 11, 2025
In the far left corner was a single bed. It had no sheets, but a few worn blankets folded neatly at the foot of the mattress. Along the opposite wall stood a sink with a cracked mirror hanging above it, a flush toilet with a broken ceramic handle, and a closet door again with a broken handle. No towels.
Toys or miniature reproductions of all the above-mentioned ceramic specimens occurred in several graves. These are often very roughly made, and in some cases contained pigments of different colors. The finding of a few fragments of clay in the form of animal heads, and one or two rude images of quadrupeds, would seem to indicate that sometimes such objects were likewise deposited with the dead.
That the Minoans were skilled metal-workers was obvious, for many of their ceramic triumphs presented manifest indications of having been adaptations of metal forms; and the gold cups of Vaphio, which, there can be little doubt, came originally from Crete, bore witness to a skill which would not have disgraced the best Renaissance goldsmiths.
In examining the simple encircling bands of many of the food bowls, jars, and other ceramic objects, it will be noticed that they are not continuous, but that there is a break at one point, and this break is usually limited to one point in all the specimens.
Yet its ornamentation is incised. If, then, incised patterning preceded painted in Phoenicia, at any rate it held its ground after painting was introduced, and continued in vogue even to the time when Greek taste had largely influenced Phoenician art of every description. The finest Phoenician efforts in ceramic art resemble either the best Egyptian or the best Greek.
From the very first I could not imagine the worker in ceramic paste designing its own pottery by drafting the first outlines. My doubts were justified. The grubs of the Clythra and the Cryptocephalus possess a maternal legacy in the shape of a shell, a garment which they have only to enlarge. They are born the owners of a layette which becomes the groundwork of their trousseau.
But, of course, that was no use. He couldn't say that he didn't see Mars from a safe altitude of two thousand feet: The vast, empty deserts where, fairly safe from the present dominant form of Martian life, a few adventurers and archeologists still rummaged among the rust heaps of climate control and other machines, and among the blasted debris of glazed ceramic cities still faintly tainted with radioactivity where the original inhabitants had died.
I find the middle path the more conservative, and while regarding many of the designs as highly conventionalized symbols, believe that there are also many where the decorator had no thought of symbolism. I have ventured an explanation of a few of the former. Terraced figures are among the most common rectangular elements in Pueblo ceramic decorations.
The wax burns and disappears, leaving a hard ceramic mold." "Aha," Oliver said, "the lost wax process." "Me and Cellini," George said. "Here, make something." He handed Oliver a sheet of wax. "Not too big. I'll cast it with The Lady. There's knives and stuff." He pointed at one end of the table. "And other kinds of wax. Use what you want." He began to mix the investment.
All these things are not figments of my mind if they are figments of a mind, it's a mind bigger than mine. The biggest claim I can make, or assent to anybody else making, is that my mind is telepathically receptive of the product of that greater mind. Bernard Palissy had in a dream the inspiration for one of his most beautiful ceramic pieces....
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