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Updated: May 1, 2025
It is probable that he then formed the friendship with Cavalieri, which played so important a part in his personal history. A brisk correspondence carried on between him and his two friends, Bartolommeo Angelini and Sebastiano del Piombo, shows that he resided at Florence during the summer and early autumn of 1533.
I pray and conjure you, by the love you bear to God, that you tell me what you have against me, in order that I may disabuse you. Not having more to write, I remain your servant, "Thomao De' Cavalieri. "From my house, November 15, 1561."
It is singular that Michelangelo's correspondence with his father, with Luigi del Riccio, with Tommaso dei Cavalieri, and with his nephew, all of whom he sincerely loved, should close upon a note of petulance and wrath. The fact is no doubt accidental. But it is strange.
It is pleasant to find that this was sent by the hand of Cavalieri: "Lady Marchioness, Being myself in Rome, I thought it hardly fitting to give the Crucified Christ to Messer Tommaso, and to make him an intermediary between your ladyship and me, your servant; especially because it has been my earnest wish to perform more for you than for any one I ever knew upon the world.
It is clear from this letter, and from the relations which subsisted between Michelangelo and Cavalieri up to the day of his death, that the latter was a gentleman of good repute and honour, whose affection did credit to his friend. I am unable to see that anything but an injury to both is done by explaining away the obvious meaning of the letters and the sonnets I have quoted.
After exhorting Lionardo to come to Rome, but to run no risks by travelling too fast, he adds, "as you may be certain Messer Tomaso dei Cavalieri, Messer Daniele, and I will not fail during your absence in every possible service in your place.
Now, if there was a country where an intrigue between a woman noted for her virtue and a poet noted for his eccentricity would, had it existed, have been joyfully laid hold of by gossip, it was certainly this utterly-demoralised Italy of cavalieri serventi: every fashionable woman and every fast man would have felt a personal satisfaction in tearing to pieces the reputation of a lady whose whole character and life had been a censure upon theirs.
This consciousness grew into a positive feeling of disgust when I was driving with several of the cavalieri to the station at Modling, for I was reduced to absolute silence during the hour's drive, as they had literally only the one topic of conversation, by that time so terribly familiar to me! namely horses.
For the understanding of his character, and for a proper estimate of his poetry, it has become indispensable to do so. Michelangelo's best friend in Rome was a young nobleman called Tommaso Cavalieri.
"I Puritani di Scozia," an opera in two acts, words by Count Pepoli, was first produced at the Théâtre Italien, Paris, Jan. 25, 1835, and in London in the following May, under the title of "I Puritani ed i Cavalieri." The original cast was as follows: ELVIRA Mme. GRISI. ARTURO Sig. RUBINI. RICARDO Sig. TAMBURINI. GIORGIO Sig.
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