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The late Lord Strangford was distinguished by those external qualifications which are everywhere acceptable; his manners were polished and easy, his conversation elegant and witty, and these, added to great personal attractions, gave him a charm which was generally felt. Disraeli, Sir Edward Bulwer Lytton, and the leading men of the day, were his associates.

Since the commencement of my Administration the two dangerous questions arising from the Clayton and Bulwer treaty and from the right of search claimed by the British Government have been amicably and honorably adjusted.

Buried deep in the dusty archives of the United States Senate is a petition whereon appear the signatures of Moore, Carlyle, the two Disraelis, Milman, Hallam, Southey, Thomas Campbell, Sir Charles Lyell, Bulwer Lytton, Samuel Rogers, Maria Edgeworth, Harriet Martineau and other British literary luminaries, great or small.

Poe, who was older than Whitman by ten years, was fifteen when Byron died, in 1824. He was untouched by the nobler mood of Byron, though his verse was colored by the influence of Byron, Moore, and Shelley. His prose models were De Quincey, Disraeli, and Bulwer. Yet he owed more to Coleridge than to any of the Romantics.

The novel of English life and manners includes many subdivisions. Among the writings of Miss Edgeworth, Miss Ferrier, Bulwer Lytton, Mr. Anthony Trollope, and others, are novels which deal to a greater or less extent with fashionable life. A number of novelists, principally female, have confined their studies to the aristocratic classes.

Admitting this, the instance of the writer known as "Bulwer" proves nothing one way or the other. At all events, not, Was he a genius because he was a, patrician? but, Was he a genius at all? is the inquiry most germane to our present purpose.

In this respect the convention of April 19, 1850, commonly called the Clayton and Bulwer treaty, has been the most unfortunate of all, because the two Governments place directly opposite and contradictory constructions upon its first and most important article.

The colonial secretary, Sir Edward Bulwer Lytton, declined to authorize the conference without first consulting the other provinces, and the government did not feel itself bound because of this to resign or consult the constituencies. In other words, the question did not involve the fate of the Cabinet. But Galt had gained a great advantage.

Similarly there is a tradition that Peter's face was clouded with sorrow whenever he heard the crowing of a cock. Bulwer Lytton represents Eugene Aram as scarcely able to restrain a scream of agony when a friend chanced to drive in near the spot where in murderous hate he had struck a fatal blow. Thus, no sin is ever buried, save as a murderer buries his victim under a layer of thin sand.

Were Rienzi an opera of the highest artistic importance, I suppose I should have read ere now Bulwer Lytton's novel of that name. As it is, I must confess my utter inability to wade through that pretentious and dreary achievement. And it does not matter. Skimming over the novel, I have gathered enough of the plot to see that Wagner took only the plot and nothing else from Lytton.