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Updated: June 7, 2025


To imitate is not to plagiarize; and Shelley cannot reasonably be called a plagiarist because he introduced into Adonais passages which are paraphrased or even translated from Bion and Moschus. It does seem singular however that neither in the Adonais volume nor in any of his numerous written remarks upon the poem does Shelley ever once refer to this state of the facts.

It is possible however and one willingly supposes so that Shelley singled out the nightingale for mention, in recognition of the consummate beauty of Keats's Ode to the Nightingale, published in the same volume with Hyperion. 'Forlorn! the very word is as a knell, &c. The nightingale is also introduced into the Elegy of Moschus for Bion; 'Ye nightingales that lament, &c.

I even fancied again and again that her lips moved her exquisitely chiseled mouth, and that a faint breath played with her abundant, waving, shining brown hair, as it does with yours. "The Muse sped my hand and the portrait Bion and the rest will praise it, I think, though it is no more like the unapproachable original than that lamp is like the evening star yonder."

Oratory, Rhetoric, and History; Pericles; the Sophists; Lysias; Isocrates; Demosthenes; Thucydides; Xenophon. 7. Socrates and the Socratic Schools; Plato; Aristotle. Origin of the Alexandrian Literature. 2. The Alexandrian Poets; Philetas; Callimachus; Theocritus; Bion; Moschus. 3. The Prose Writers of Alexandria; Zenodotus; Aristophanes; Aristarchus; Eratosthenes; Euclid; Archimedes. 4.

Mop made no response. "Wonderful intelligence!" said Waife; "he knows that Thales and Bion would not draw! obsolete." Mop was equally mute to Aristotle. He pricked up his cars at Plato, perhaps because the sound was not wholly dissimilar from that of Ponto, a name of which he might have had vague reminiscences.

He then, in the true spirit of his philosophy, urges Torquatus to give his present hour and wealth to pleasures and delights, as he had no assurance of to-morrow." "In something of the same strain," said I, "Moschus moralizes on the death of Bion:

And in sorrow for thy fall the trees cast down their fruit, and all the flowers have faded.... Nor ever sang so sweet the nightingale on the cliffs,... nor so much, by the grey sea-waves, did ever the sea-bird sing, nor so much in the dells of dawn did the bird of Memnon bewail the son of the Morning, fluttering around his tomb, as they lamented for Bion dead.... Echo, among the reeds, doth still feed upon thy songs.... This, O most musical of rivers, is thy second sorrow, this, Meles, thy new woe.

The names of some of the most celebrated geographers who were patronized by this monarch, have been handed down to us: Pliny mentions Dalion, Bion, Boselis, and Aristocreon, as having visited Ethiopia, and contributed to the geographical knowledge of that country; and Simonides as having resided five years at Meroe.

It is equally possible to regard the Cyclops as emblematic merely of the rough neatherd flouted by the more delicate shepherd-maiden the contrast is of constant occurrence in later works for, alike in one of his own fragments and in Moschus' lament, Bion is represented as courting this same Galatea after she has rid herself of the suit of Polyphemus.

Of old didst thou lose Homer:... now again another son thou weepest, and in a new sorrow art thou wasting away.... Nor so much did pleasant Lesbos mourn for Alcaeus, nor did the Teian town so greatly bewail her poet,... and not for Sappho but still for thee doth Mitylene wail her musical lament.... Ah me! when the mallows wither in the garden, and the green parsley, and the curled tendrils of the anise, on a later day they live again, and spring In another year: but we men, we the great and mighty or wise, when once we have died, in hollow earth we sleep, gone down into silence.... Poison came, Bion, to thy mouth thou didst know poison.

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