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Updated: June 7, 2025


I shall therefore recommend to the consideration of those who are always aiming after superfluous and imaginary enjoyments, and will not be at the trouble of contracting their desires, an excellent saying of Bion the philosopher; namely, 'That no man has so much care as he who endeavours after the most happiness.

He and Lovell had published jointly, two years before, "Poems by Bion and Moschus." A Christ's Hospital schoolfellow, the "Jem" White of the Elia essay, "The Praise of Chimney-Sweepers." Tuesday night. Of your "Watchman," the review of Burke was the best prose. I augured great things from the first number. There is some exquisite poetry interspersed.

They are 'the children that flit overhead, the little Loves, like the young nightingales upon the budding trees, which flit round the dead Adonis in the fifteenth idyl. In one or other of the sixteen Pompeian pictures of Venus and Adonis, the Loves are breaking their bows and arrows for grief, as in the hymn of Bion.

The contemplative atheist is rare: a Diagoras, a Bion, a Lucian perhaps, and some others; and yet they seem to be more than they are; for that all that impugn a received religion, or superstition, are by the adverse part branded with the name of atheists.

Indeed in this he only followed his young friend Bion, whose death he so beautifully bewails, and from whose poems he generously owns that he learned so much. It may be as well to add that the lines in which he says that Theocritus, who had been dead above one hundred years, joined with him in his sorrow for the death of Bion are later additions not found in the early manuscripts of his poems.

A Pompeian picture illustrates the point, by representing a little Love riding up to the shore on the back of a dolphin, with a letter in his hand for Polyphemus. Greek art in Egypt suffered from an Egyptian plague of Loves. Loves flutter through the Pompeian pictures as they do through the poems of Moschus and Bion. They are carried about in cages, for sale, like birds.

Whose tapers yet burn through that night of time In which suns perished. Shelley here appears to say that the minor poets have left works which survive, while some of the works of the very greatest poets have disappeared: as, for instance, his own lyrical models in Adonais, Bion and Moschus, are still known by their writings, while many of the master-pieces of Aeschylus and Sophocles are lost.

Enough has perhaps been said about the social and artistic taste of Alexandria to account for the remarkable differences in manner between the rustic idyls of Theocritus and the epic idyls of himself and his followers Moschus and Bion. In the rural idyls, Theocritus was himself and wrote to please himself.

He bowed gayly to the young girl, and exclaimed to his companions: "The youngest pearl in Alexandria's crown of beauties!" while Bion, Alexander's now gray-haired master, clapped the youth on the arm, and added: "Yes, indeed, see what the little thing has grown! Do you remember, pretty one, how you once how many years ago, I wonder? spotted your little white garments all over with red dots!

He chose as a foundation for his work those laments of Bion for Adonis, and of Moschus for Bion, which are the most pathetic products of Greek idyllic poetry; and the transmutation of their material into the substance of highly spiritualized modern thought, reveals the potency of a Prospero's wand.

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