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Updated: May 13, 2025
That wonderful art of materialisation, of the sensuous evocation of the forms, the qualities, the very stuff and substance of things, which was perhaps Balzac's greatest discovery, Beyle neither possessed nor wished to possess. Such matters were to him of the most subordinate importance, which it was no small part of the novelist's duty to keep very severely in their place.
Beyle, for instance, was capable of writing, in one of those queer epitaphs of himself which he was constantly composing, the high-falutin' words 'Il respecta un seul homme: Napoléon'; and yet, as he wrote them, he must have remembered well enough that when he met Napoleon face to face his unabashed scrutiny had detected swiftly that the man was a play-actor, and a vulgar one at that.
It is usual to refer to Balzac as the first great realist of the French, indeed, of modern fiction. Strictly, he is not the first in France, as we have seen, since Beyle preceded him; nor in modern fiction, for Jane Austen, so admirably an artist of verity, came a generation before.
Henri Beyle, jotting down his impressions in the Sistine Chapel, was reminded of the Grand Army's flight after the burning of Moscow.
The Chinese authorities had dismissed the Uliassutai Sait, the prominent Mongolian patriot, Prince Chultun Beyle, and had appointed a Lama Prince friendly to China, the former Vice-Minister of War in Urga. Oppression increased. The searching of Russian officers' and colonists' houses and quarters commenced, open relations with the Bolsheviki followed and arrest and beatings became common.
The volume, with its meticulous apparatus of analysis, definition, and classification, which gives it the air of being a parody of L'Esprit des Lois, is yet full of originality, of lively anecdote and keen observation. Nobody but Beyle could have written it; nobody but Beyle could have managed to be at once so stimulating and so jejune, so clear-sighted and so exasperating.
Beyle declared that he was in the habit of reading several paragraphs of the Code every morning after breakfast 'pour prendre le ton. This again was for long supposed to be one of his little jokes; but quite lately the searchers among the MSS. at Grenoble have discovered page after page copied out from the Code in Beyle's handwriting.
Quand au voleur, il me plaît, s'il est énergique, car il m'amuse. It was the energy of self-assertiveness that pleased Beyle; that of self-restraint did not interest him. The immorality of the point of view is patent, and at times it appears to be simply based upon the common selfishness of an egotist. But in reality it was something more significant than that.
It is true that Beyle joined the ranks of the Romantics for a moment with a brochure attacking Racine at the expense of Shakespeare; but this was merely one of those contradictory changes of front which were inherent in his nature; and in reality the whole Romantic movement meant nothing to him.
How a Romantic would have lingered over the facial expression of the general, and how a Naturalist would have analysed that 'tapage'! And yet, with all their efforts, would they have succeeded in conveying that singular impression of disturbance, of cross-purposes, of hurry, and of ill-defined fear, which Beyle with his quiet terseness has produced?
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