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"That's how it ends!" And he went over to what had been Arabian's portrait, and gazed at the hole which surmounted the magnificent torso. He had no doubt that Arabian had gone out of Miss Van Tuyn's life for ever.

His instinct counselled silence on that point. So he talked of London, the theatres, the affairs of the day, trying to seem natural, like a man of the world with a casual acquaintance. He noticed that Arabian's answers and comments were brief. Sometimes when he did speak he spoke at random. It was obvious that he was preoccupied. He seemed to Sir Seymour to be brooding darkly over something.

The Wanderer drove to Keyork Arabian's house, and leaving his carriage to wait in case of need, ascended the stairs and knocked at the door. For some reason or other Keyork would not have a bell in his dwelling, whether because, like Mahomet, he regarded the bell as the devil's instrument, or because he was really nervously sensitive to the sound of one, nobody had ever discovered.

Amidst such cavillation she donned the next day her best petticoat and ribbons to his to the Arabian's house; and while she was sitting down to shoe herself she of a sudden felt something like a hood closing over her head, and, turning round, she saw behind her the muffled-up man of before, who, throwing aside his cloak, discovered himself to be the sword-cutler, Master Palomo, who, without speaking, presented Maria with a little Venetian mirror, in which she looked and saw herself with her own hair and garb in such wise that she wondered for a good time if it were not a dream that the mayoress had shorn her.

He got up and walked to the easel on which was the new sketch for Arabian's portrait, stood before it and looked at it for a very long time. And all the time he stood there what he had just read was in his mind. Fear! The fascination of fear! There were women who could only love what they could also fear. Perhaps Beryl was one of them.

She remembered how she had taken her revenge, delivering him over in his sleep to Keyork Arabian's will. She wished that, like him, she could escape from the wound of the word in a senseless lethargy of body and mind. She knew now what he had suffered, for she suffered it all herself. He, at least, had been free to speak his mind, to rage and storm and struggle.

No doubt the very stiff whisky-and-soda Arabian had just drunk had made it more obvious. Anyhow, Sir Seymour had no doubt at all about it now. It was not noticeable in Arabian's face. But his manner began to show it to the experienced eyes of the old campaigner. "But, please, do you understand my feeling? Would you like to be made what you are not a beast?"

"Will you allow me to look at them?" "They're there to be looked at." Again Arabian glanced at Miss Van Tuyn. She got up from the sofa quickly. "I will show Mr. Arabian the pictures," she said. She had noticed the cloud lowering on Garstin's face and knew that he was irritated by Arabian's hesitation.

Miss Van Tuyn stepped in, and the door was gently shut behind her by Arabian's manservant. Arabian opened the second door on the left of the hall. "This is my little salon," he said. "May I " "No, thank you. I'll keep on my coat. I must go home in a minute. I shall have a good deal to do. Really I oughtn't to be here at all. If anyone after such news " She looked at Arabian.

It was the first time she had spoken in Arabian's hearing since the episode in Shaftesbury Avenue, and, as she uttered her first words, she thought she detected a faint and fleeting look of surprise it was like a mental start made visible slip over his face, like a ray of pale light slipping over a surface.